SPL Crimson and Madison Interfaces

SPL debuted their Crimson USB Interface at last week's Musikmesse 2013. It is both a 24bit/192khz interface and monitor controller combined with high quality pre-amps. 

Check out the features:

• 30 I/O channels (10 recording channels and 20 playback channels)
• 10/20 I/Os via USB, S/P-DIF, Analog XLR, RCA, 1/4" and Mini Jacks
• +/- 18V operational voltage for professional levels up to +24dB
• Two boutique level, discrete Class A, +/-30V high-voltage mic-preamplifiers
• Two Hi-Z instrument preamplifiers
• Two separate headphones amps, individually controllable
• Connect and control two stereo speaker sets
• Monitor signal mix function for playback and recording paths
• MIDI input and output via two DIN sockets
• USB 2.0, S/P-DIF input and output
• 24Bit/192kHz converter
• Made in Germany

MSRP $725. Available June 2013


Also shown was their Madison MADI Interface. It provides 16 I/O to any MADI equipped computer or console. (MADI aka AES10 stands for Multichannel Audio Digital Interface) and has been used in the professional audio industry for many years.

Madison Features:

• 16 AD and 16 DA converters in 1U
• Superb sounding converters with a sophisticated analog section on 36 V audio rails
• +24 dBu professional output level
• Best price/performance value
• Up to 64 I/Os on 1 MADI port (4 units)
• Latency neutral MADI chaining
• 44.1 to 192 kHz, ±10% vari-speed
• SPL clock-shop for jitter-free operation
• Ultra-compatible, always operational MADI IO with ultra low conversion latencies
• Four directly selectable reference levels: 15/18/22/24
• Simple operation and setup right from the front panel controls
• Ergonomic, distance-readable meters for clear level status indication of any I/O channel
• Fanless, absolutely silent low-power design (max. 30 W)
• Redundant power supply optionally
• Four analog, 8-channel multicore DB 25 sockets (TASCAM industry standard)
• Made in Germany

MSRP $1899 Available July 2013.

SSL SIGMA Automated Mix Engine, 500 format G+ Buss Compressor and brand new LIVE Console - Musikmesse 2013

SSL revealed their new Sigma Remote Controlled Analog Mix Engine which has 16 Ins & Outs. I think this in combination with the UA Apollo 16 will make a great portable DAW based studio.

"Designed for the DAW user that seeks the legendary big sound of an SSL console while retaining the convenience of working in the box, Sigma is a unique analogue mix engine in a 2U rack unit, that is remote controlled using MIDI via Ethernet using a DAW or an iDevice compatible software interface."

 Some of the Sigma's Features:

• 16 Inputs configurable as mono or stereo for up to 32 channels at mixdown.
• Direct Outs on every Input.
• Accurate Metering on all channels
• 2 Mix Busses with individual Insert Points. Mix buss B can be fed back into Mix buss A.
• Artist and Studio Section with separate Monitor Outs and Headphones.
• Monitor section has Main and Alternative for 2 sets of speakers.
• Switching Matrix for selecting Monitor Source controlled by a Single Knob with a push-pull mechanism.
• Talkback input with adjustable Dim Level.

"Control and switching of a wide range of functions including; monitor level and source, inserts, talkback, sum B>A and mono check, can all be achieved using any standard MIDI hardware control surface. A MIDI learn feature makes setup simple and easy"

MSRP $4499

Get more details on SSL's website

SSL also announced the 500 format version of their much coveted G series Buss Compressor.

From the website: 

".....the centre section compressor from the 1980’s G-Series analogue console is an audio production legend. It is a simple unit with a simple purpose; it makes complete mixes sound bigger, with more power, punch and drive. It brings cohesion and strength to your mix without compromising clarity. To this day it remains a key element of the SSL sound and has featured on countless classic recordings."

MSRP $2299

Last but not least they showed their first ever Live Console simply called LIVE.

The live console I use most often is the Yamaha M7CL. As a lifelong SSL fan I'm curious to see what they have to offer.

"Live is a flexible and extremely powerful digital audio console designed specifically to meet the demands of all aspects of live sound production. It is perfectly suited to touring or installation, FOH or monitors, to venues and arenas, houses of worship and concert halls, to anywhere where audio quality is important and engineers require power, complete flexibility and a user interface that puts them in control."

MSRP USD $84,000 and $130,000

Get the full details on this innovative console here.

UA Apollo 16 and AMS rmx16 plugin announced at MusikMesse 2013

Musikmesse 2013 is in full swing in Frankfurt, Germany and Universal Audio announced their brand new Apollo 16. Two Apollo 16s can be cascaded to give you up to 32 Ins and Outs with full access to the UAD-2 plugins during tracking and mixing. 

Apollo 16 Features

• UA’s flagship FireWire/Thunderbolt-ready audio interface for Mac and Windows 7*

• 16 x 16 analog I/O via DB-25 connectors — ideal for mixing consoles, outboard preamps, etc.

• Realtime UAD-2 QUAD processing for low-latency (sub-2ms) tracking and mixing w/ UAD Powered Plug-Ins**

• Thunderbolt Option Card for next-generation connectivity to compatible Macs (sold separately)

• Four stereo Cue mixes with fully assignable outputs

• Multi-unit cascading over MADI merges two Apollo 16 units for 32 x 32 analog I/O

• PT Mode allows easy insertion of outboard analog hardware in Pro Tools**

• Virtual I/O feature for Realtime UAD Processing of virtual instruments and DAW tracks

• Includes dedicated XLR monitor outs and stereo AES-EBU digital I/O

• Includes “Analog Classics” plug-ins: LA-2A Classic Audio Leveler, 1176LN Limiting Amplifier, and Pultec EQP-1A EQ

• Full recall of interface settings in DAW sessions via Console Recall plug-in (VST/RTAS/AU)

• Full compatibility with UAD-2 DSP Accelerator systems

Read more here

UA is also releasing the AMS rmx16 reverb for the UAD-2 Platform. 

The rmx16 has many die-hard audio fans who will be happy to hear this. Also if your lucky enough to actually own one of these units AMS-Neve can service it for you. 

The Branch - All Tube Channel Strip

Tree Audio has announced their latest offering, an All Tube Channel Strip called the Branch. It is based on their Roots Tube Hybrid Console and offers a Mic In, Line In and front mounted DI Input. The Branch also provides LO/HI EQ and Limiter plus custom Transformers on both Input and Output. I'm sure it's a great sounding unit and I like the layout of the front panel. I wonder if a 2 channel unit is in the works?

FEATURES

• Front Panel Direct Input 
• Rear Mounted XLR connectors for Mic In, Line In and Output 
• Big Knob Level Control 
• Lo Freq Eq: 50, 80, 100, 400Hz 
• Hi Freq EQ: 7k, 10k, 12k, 16khz 
• Limiter Switch (In,Out, 250Hz HPF) 
• Gain Reduction Knob 
• Line, Mic, Mic with Phase Reverse Selector 
• Pad Switch: Off, -15, -20db 
• Mute Switch 
• 48vDC Phantom Power 
• Large VU with In, Gain Reduction, Out Switch 
• Custom Wound Input/Output Transformers 
• Vacuum Tube and Linear Regulated Power Supply included 
• Same quality sound, circuitry and construction as The Roots Console 
• 3-Rack Space 19" Rackmount

$2195 at Vintage King Audio

Soundtoys free plugin - Little Microshift

Soundtoys is having a SXSW giveaway with a brand new plugin called the Little Microshift which is based on one of my favorite Multi-effects boxes, the Eventide H3000 Harmonizer. You also have a chance to win an autographed H3000 D/SE by sharing this offer online.

Contest ends March 29, 2013.

Get your free plugin and more details here.

p.s. Must be authorized on your computer with the iLok attached.

This looks interesting - The SubPac

I'm really curious to hear the effect The SubPac has on the music listening experience and would love to try it in the studio. According to the website it allows you to "...Experience intense bass without damaging your hearing. The SubPac is a tactile audio device that quietly and directly transfers low frequencies to your body, allowing you to FEEL MUSIC."

FEATURES

• Allows you to properly monitor low frequencies (more accurately feel the difference between bass, kick and sub-bass etc.)
• Experience your track/mix as if it were being played in a club system.
• Flat response with no EQ or compressors. SubPac provides the true signal.
• Portable: you can produce with the proper frequency spectrum on the go – plane, hotel, café, train etc.
• Can produce at all hours of the night without noise complaints.
• Preserves hearing - no need to crank your system.

I like the fact that it allows you to feel the bass without having to resort to loud volume levels. Great for your hearing plus no complaints from the neighbors. If I can calibrate it for studio use it would be a great asset for mixing.
They currently have a KickStarter Project (where you can purchase a pre-release version) and they're more than halfway to their goal. I'm going to arrange an audition of the SubPac. In the meantime check out the video below.



SubPac | Kickstarter Video from SubPac on Vimeo.

Vevo Starts 24-Hour Ad-Supported Music Television Network

Bloomberg news posted an article and video yesterday with the announcement that Vevo is starting a 24 hour all music TV network. The network will be available online initially then expand to subscription based pay TV.

"The broadcast-style network became available today for U.S. and Canadian viewers through the New York-based company’s website, mobile applications and video-game consoles, Chief Executive Officer Rio Caraeff said in an interview.
The goal is to increase advertising sales and create a potential new source of revenue from pay-TV subscriber fees. Vevo TV will schedule blocks of high-definition music videos, original programs and concerts, and eventually hire on-air hosts, Caraeff said."

The network is live now on Vevo's website. Do you like it? Do you think it is a viable option for creators and consumers? I would like to hear everyone's thoughts on this.

Here's the video with Vevo's CEO Rio Caraeff:

Jimmy Iovine's $60M Music Plan

Last week  Jimmy Iovine appeared on All Things D (Dive Into Media) to speak on the Music Industry's past, present and possible future with his upcoming music service said to be launched in the summer of 2013. As a music mogul with 40 years experience both on the creative and business side plus being the mastermind behind Beats By Dre Headphones (which is now the #1 brand in the UK). He seems to have a pretty good idea where things should go with online music services. He has acquired a $60 million investment from Access Industries who owns Warner Music Group to start a new streaming service nicknamed "Daisy". This service is based on the MOG digital service that was purchased by Access last year.

He also speaks on the changes he has witnessed throughout his career and what he thinks went wrong with certain aspects of the music business.

Here's the full video interview:



http://allthingsd.com/

NAMM 2013_Universal Audio announces Apollo updates plus API, LA-2A Classic Collection and Softube Amp Room Bundle.

Universal Audio's Apollo interface has been a huge hit with many recording aficionados and it was announced yesterday at NAMM 2013 that they have enhanced its features in a major way.

"Among the new Apollo interface features slated for delivery in the first half of 2013 is multi-unit cascading, which combines two Apollo interfaces into a single elegant system via FireWire or Thunderbolt. Multi-unit cascading provides simultaneous use of 16 analog inputs / outputs, including eight Apollo mic preamps, plus 12 digital inputs and outputs — perfect for tracking a full band.

The boost in Apollo connectivity is navigated via a redesigned Console application, offering better visual feedback, a new Mix-Merge mode, and a Pro Tools mode which greatly simplifies integration with Pro Tools systems."

Read more here.

API 500 Series EQ Plug-In Collection

UA also announced API 500 Series Plugins featuring the 550A and 560 Eqs. I know the original hardware well and look forward to trying out the UA emulations.

"Designed by API’s Saul Walker in the late 60's, the 550A and 560 modular EQs featured Walker’s signature 2520 op-amp and proportional Q circuitry. For the API 500 Series EQ Plug-In Collection, UA’s industry-leading circuit modeling team expertly captured the filter shapes, band interactions, and unique filter amplifier clipping behaviors of vintage API 550A and 560 units to exacting detail. The result is tight, low-frequency imaging that gives users that legendary API punch.

Additionally, the API 500 Series EQ Plug-In Collection includes presets from several famed engineers and producers, including Ross Hogarth (Van Halen, R.E.M., Ziggy Marley), Vance Powell (Jack White, Red Fang, The Dead Weather), Eli Janney (Jet, Ryan Adams, Wilco), Jeff Juliano (John Mayer, Shinedown, Train), Carl Glanville (U2, Billy Joel, Jason Mraz), and Darrell Thorp (Beck, Radiohead, Charlotte Gainsbourg)."

LA-2A Classic Leveler Plug-in Collection

UA also upgraded their original LA-2A to the Classic Leveler Collection. If their 1176 Collection is any indication the new LA-2A Collection should not disappoint.

"The original LA-2A hardware — still hand-built at UA headquarters in Scotts Valley, California — is an audio industry icon, bringing smooth, warm compression to anything it touches, especially vocals. With the new LA-2A Classic Leveler Plug-In Collection, Universal Audio modeled the entire electronic path of three highly coveted hardware units — “Silver,” “Gray,” and the original LA-2 model — providing the most authentic plug-in emulations available of this iconic compressor.

The Bill Putnam-era LA-2A “Silver” model features a fast time constant, making it suitable on all sources, including drums and percussion. The Jim Lawrence-era LA-2A “Gray” model maintains an average time constant, providing a range of “medium-speed” compression. Finally, the LA-2 plug-in models the rarest of original Teletronix units, providing a super-slow compression response and a unique “mellowed” sound due to 50 years of luminescent panel aging.

Additionally, the LA-2A Classic Leveler Collection plug-ins includes presets from famous LA-2A users, including Ross Hogarth (Van Halen, R.E.M., Ziggy Marley), Carl Glanville (U2, Billy Joel, Jason Mraz), Darrell Thorp (Beck, Radiohead, Charlotte Gainsbourg), Vance Powell (Jack White, Red Fang, The Dead Weather), and Jeff Juliano (John Mayer, Shinedown, Train)."

Softube Amp Room plug-ins

I've used the Softube Amp Room Plugin Bundle on various projects and they sound great. I think they make a great addition to the UAD platform.

The Bundle consists of:

1. The Metal Amp Room

2. The Bass Amp Room

3. The Vintage Amp Room

4. Acoustic Feedback Deluxe

My favorite is the Bass Amp Room.

"With the addition of renowned Softube Amp Room plug-ins to the UAD platform, owners of UAD-2 DSP Accelerator hardware now have industry-leading guitar and bass amp modeling at their fingertips. And, when used with the award-winning Apollo Audio Interface, the Softube Amp Room plug-ins allow musicians and producers to jam, write, and record through stunning guitar or bass sounds with near-zero latency."

Get more details on the Softube Amp Room Bundle here.

Rupert Neve's 542 Tape Emulator and 511 MicPre announced for NAMM 2013

RND (Rupert Neve Designs) recently revealed their new 500 series line with the 511 Microphone preamplifier and 542 Tape Emulator that will be showcased at NAMM 2013(Jan. 24-27). I like their Portico series and I'm excited to see it now available in the 500 series format. The units are reasonably priced at $895 for the 542 and $649 for the 511.

From their website:

"For the 2013 NAMM show, Rupert Neve Designs is announcing two new 500 Series modules: the 511 Mic Pre with Silk, and the 542 True Tape Emulator with Texture. As two of the only 500 Series modules actually designed by Mr. Rupert Neve, the 511 and 542 combine the classic tone and versatility expected from a Rupert Neve design with the form factor and value of the 500 Series format."

"The 542’s “True Tape” emulation circuit provides the nostalgic rounding and compression typically achieved only through the use of tape, and can offset the harshness often found in digital recordings. Unlike digital emulations, the “True Tape” drive circuit works by feeding a tiny magnetic “record head,” which in turn is coupled to a correctly-equalized replay amplifier. As the voltage rises on the “record head,” saturation increases, and a soft-clip circuit engages at higher levels to round off harsh peak transients. The sound of the tape circuit can be further modified with selectable 15 and 30 ipsmodes, providing a “saturation equalization” of sorts, and a pre/post-tape blend control. In addition to the tape circuit, the 542 also includes the variable Silk/Texture circuitry found in the Portico II series of modules (with both much-loved Red and Blue modes), which allows the engineer to fine-tune the harmonic ratio and tonality of the output transformer."

"The 511 can be used for either mic or line sources, and pairs perfectly with any ribbon, dynamic, condenser or tube microphone. A polarity reverse switch is available to conquer phase issues when using multiple microphones. The 12 dB/octave swept high-pass filter can be dialed-in to remove rumble with minimal artifacts, and also to control proximity effect in close-mic’d vocals or other sources. To coax more rich harmonic content from the output transformer, the Silk Red mode can be engaged to add more thickness and sparkle in the high end as the Texture level is increased. While a little Silk Red can sound great on nearly any source, it is especially useful on dynamic and ribbon microphones that are inherently lacking in high-frequency energy and excitement."

Get more details on RND's 542 and 511 500 series modules at http://rupertneve.com.

Focusrite Red 1 500 series

Focusrite has announced the return of their acclaimed Red 1 series Mic Pre in the 500 series format.

For those unfamiliar with the Focusrite Red series the original Red 1 was only available in a 4 channel 19' standard rack mount format. It was a very popular piece that could be found in many of the best recording studios. I've used the original Red 1 in the past and it performed well with many different microphones.

From the website:

"Focusrite’s Red Range gained legendary status following its release in 1993. The Red 1 rapidly became a sought-after mic preamp in the world’s top studios, thanks to its ability to handle almost any microphone and its unique, signature sound.

Featuring the same circuit topology and components as the original transformer-based mic pre designs, Red 1 500 Series Mic Pre offers the same performance as the original Focusrite Red microphone preamplifier in a new, popular format: the 500 Series, or “Lunchbox” portable modular system. It’s ideal for mobile/location use as well as in the studio."

From their press release:

"The Red 1 500 Series Mic Pre has switchable phantom power, polarity invert, and an easy-to-read illuminated VU meter, making it the perfect preamp choice for a 500-series rack in the studio or on location. Its stepped gain structure (with a Grayhill gold-plated military-grade switch) in 6dB steps from -6 to +60dB, provides accurate, precise channel matching and recall. The output stage of the Red 1 500 Series Mic Pre will easily drive long cable runs without significant loss of quality, making it ideal for remote recordings.

Focusrite's unique mic preamp topology provides superb common-mode rejection, excellent overload margin and, with its shared gain structure (20dB from the transformer and up to 40dB from the amplifier), a very low noise floor combined with the signature extra-wide bandwidth (10Hz to 140kHz). This exceptional level of performance is maintained over a wide range of impedances applied to the input, making the Red 1 500 Series Mic Pre perform flawlessly with almost any microphone: ribbon, dynamic or condenser."

FEATURES:

• Original Red circuit topology and components
• 500 Series “Lunchbox” format
• Lundahl LL1538 Input Transformer
• Carnhill custom output transformer
• Grayhill gold-plated mil-grade gain switch
• Suitable for virtually any microphone
• Backlit VU meter with switchable calibration
• Polarity invert and +48V phantom power

Release Date April 2013. MSRP $1249

See Focusrite.com for more info.

Hamptone's HOC1 : Class A JFET Opto Compressor / Limiter

Hamptone who is known for their preamps (the HVTP2 and HJFP2) recently announced their latest product the HOC1 : Class A JFET Opto Compressor/Limiter. The preamps are solidly built and the words clean, detailed and larger than life are often used to describe them. I'm certain the HOC1 will also be well received. I like the layout of the controls and the fact that parallel processing can be done within the unit. I'm especially curious about the SHAPE control. I will do a more informative post once I actually get my hands on the unit.

FEATURES:

• Discrete Class A transformer balanced signal path.
• Parallel signal path (direct / compressed)
• Smooth opto cell compression, servo driven for high speed and stability (20dB in 1.5mS)
• SHAPE control and Feed Forward/Back allow infinite compressor response vs signal input
• Sophisticated stereo link capability, or as stand alone
• Two units fit into standard 2U rack shelf, mechanically = HVTP2 and HJFP2 micpres

Price $1499.

http://www.hamptone.com/hoc1_comp.html

Frequency Ear Training with Dave Pensado - Parts 1 & 2

I was asked recently about eq'ing a kick to make it sit right in a mix. It depends on the genre and the type of sound. In these videos Dave gives some great tips and advice on training your ear to help you decide what frequencies work best for your song/mix.

Waves introduces new Synth - The Element

Looking for some sonic inspiration? Try the new Element synthesizer from Waves.
Introductory price $99. Demo available.


From the website:

"Element includes a vast array of convenient features and functions. Like integrated effects. A 16-step arpeggiator / sequencer. MIDI Learn for all controls. And a massive preset library, with total tweakability. Plus, all parameters are laid out right there in front of you, so when inspiration strikes, there’s no need to scroll through page after page to customize your sounds. Searing leads, booming basses, ethereal pads, electro-percussion, sequential motions, mind-blowing FX and lots more: Element does it all.
Read more: http://www.waves.com/content.aspx?id=12081#image#ixzz2GvQyINRd

Introducing Element: The first ever synthesizer from Waves. Powered by Virtual Voltage™ technology, Element is an analog-style polyphonic instrument engineered to deliver the fat, gritty sound of the classics, with all the precision, flexibility and control of contemporary digital synths. Element is Native, and is available separately as well as in Waves Mercury.

Last Chance: End-of-Year UAD Storewide Sale

UA is having a huge holiday sale on many of their plugins including their popular Manley, Lexicon, EMT, Ampex, Studer, Neve and SSL emulations. They're also doing a special promotion where you receive a free UAD-2 Satellite Quad when you "Purchase a New UA 4-710d Four-Channel Tone-Blending Mic Preamp by December 31st and Get a FREE UAD-2 QUAD Core or UAD-2 Satellite QUAD Core DSP Accelerator Package!" Visit UA's website for more details.

Metric Halo 2012 Holiday Sale Extended!

Metric Halo's Holiday Sale that I posted recently has been extended to January 15th.
Also songs recorded with the ULN-8 by artist Sono Luminus received 7 Grammy Nominations.
(Note: "Cherry Wine" that I mixed for Nas and produced by Salaam Remi was also nominated for a Grammy. I used a Metric Halo 2882 as the interface when mixing.)

Visit mhlabs.com for more info on the great deals they're offering on their excellent software and hardware.

Waves Year-End Blowout - $9 Plugins

"The Q10 sounds great on anything." Gil Norton (Foo Fighters, The Pixies) "I love SuperTap. It’s so easy to use!" Todd Williams (Robbie Williams, Norah Jones) "MondoMod is a must-have." Mike Shinoda of Linkin Park "Renaissance Axx sounds great on drums!" 'Pooch' Van Druten (Slash, Van Halen) ALL PRODUCTS ARE NATIVE. OFFERS END DECEMBER 31, 2012.

Access Gobbler directly in Protools 10.3.3

Avid released Protools 10.3.3 yesterday and it now features full Gobbler access.
You can now send/backup full sessions directly from the Protools file menu.

From Gobbler's website:
"Gobbler can back up and send any Pro Tools session and its media, but with Pro Tools 10.3.3, you can send mixes or entire Pro Tools sessions directly from the Pro Tools UI! In addition, the latest Mac version of Gobbler will read the Pro Tools session file so it can even back up and send audio files stored outside of the session folder."

You can also export bounces directly to Gobbler right from the bounce menu.

                 

 Visit Gobbler's page for more details about using the Gobbler features in Protools 10.3.3.

Native Instruments Holiday Giveaway

Native Instruments sent me this announcement that they're giving away their Driver Distortion Filter plugin and 5 Remix Sets for their Traktor users.
They also sent a $30 voucher code for use in their web store. This offer is good until Dec. 31, 2012.

Happy Holidays from Native Instruments! Two incredible free gifts are our thanks to you for your support this year. DRIVER is a screaming filter distortion effect for adding anything from movement to mayhem – works stand-alone in any DAW, and integrates perfectly with MASCHINE. DJs get five floor-filling Remix Sets for TRAKTOR’s Remix Decks. And we’re also giving you a $30 / 25 € voucher, valid on software* at the NI Online Shop until December 31, 2012. Get your holiday gifts today! Your voucher code: 2Z3H4BCRNS   Any track, any genre – use DRIVER to add character, then twist it into complete sonic annihilation at the turn of a dial. Free until December 31, and available as a $49 / 49 € KOMPLETE effect in early 2013. Get DRIVER These five Remix Sets spice up DJ mixes and live performances in any genre. Get the sound of two of our most successful MASCHINE Expansions, some deep house loops, a selection of Latin and Indian percussion, and an exclusive set by Berlin beatsmith Comfort Fit. Get Remix Sets NI Twitter NI Youtube Channel KOMPLETE Facebook *The e-voucher is valid for all software titles at the NI Online Shop except KOMPLETE 8 and KOMPLETE 8 ULTIMATE. These special offers are valid until December 31, 2012. These special offer products are not for resale. NATIVE INSTRUMENTS GmbH, Schlesische Strasse 29-30, D-10997 Berlin, Germany Registergericht: Amtsgericht Charlottenburg | HRB 72458 | UST.-ID.-Nr. DE 20374 7747 Management Board: Daniel Haver / Mate Galic Phone number: +49 (0)30/61 10 35-1600 Fax: +49 (0)30/61 10 35-2600 Contact NI