Monday, April 18, 2011

The Obamas: A two-thirds pay cut in 2010


President Obama and the first family earned about two-thirds less in 2010 than the year before, and donated about 14% of their income to charity.
The Obama family, in tax returns released Monday by the White House, reported an adjusted gross income of $1,728,096, down from about $5.5 million in 2009.

The Obamas reported paying $453,770 in federal taxes. They donated $245,075, or 14% of their income, to 36 different charities. Fisher House Foundation, a charity that works with veterans, took home the biggest single donation.
The president earns a salary of $400,000 for his day job. His paycheck was much higher because his books -- "Dreams From My Father," "The Audacity of Hope" and "Of Thee I Sing: A Letter to My Daughters" -- continued to register strong sales. But those sales were not nearly as strong as they were the year before.
Obama is donating the proceeds from the latest book, "Of Thee I Sing," to a Fisher House scholarship fund for children of fallen and disabled soldiers. This year, the contribution was $131,075.
The Obamas donated $15,000 to the Clinton Bush Haiti Fund, and $10,000 to the Boys & Girls Club of America.
In 2009, the Obamas paid about a third of their income -- $1.8 million -- in federal taxes.
Obama said in a speech last week that top earners -- himself included -- should pay higher taxes.
"I don't need another tax cut," he said. "Warren Buffett doesn't need another tax cut."
Also released was the return of Vice President Joseph Biden and his wife, Jill. Their adjusted gross income was $379,178, on which they paid federal taxes of $86,626.

The Bidens donated $5,350 to charity, in both monetary and in-kind donations, an amount equaling 1.4% of their adjusted income. The biggest donation listed on the tax return is a $1,400 donation to the Northern Virginia Community College Alumni Scholarship Fund.
Elizabeth Alexander, Vice President Biden's press secretary, issued a statement to CNN that emphasized that the Bidens also donate their time to charitable causes.
"The charitable donations claimed by the Bidens on their tax returns are not the sum of their annual contributions to charity. They contribute to many causes with their time, as well as their checkbooks," she said.

Nord Electro Goes Hammer Action in the New Nord Electro 3 HP

Nord introduced a new version of its popular Electro keyboard at Musikmesse…the Nord Electro 3 HP, a 73-key E-E range keyboard with Hammer Action.
Nord Electro 3 HP = Hammer Action & portability (25 lbs)
Where the original Electro 3 perhaps can be seen as a great organ with additional piano sounds, the new Electro 3 HP gives acoustic and electric piano lovers a brilliant new keyboard that even works great for organ playing styles.
In addition to the new Hammer Action feature, the new Nord Electro 3 HP includes all of the features of the original Nord Electro 3, like the compatibility with the Nord Piano and Nord Sample Libraries — including the exclusively licensed Mellotron and Chamberlin sounds — the tonewheel and transistor modeling of the Nord C1 organ and Rotary speaker simulation.
The Electro 3 HP additionally features a Long Release mode that adds a slightly longer release to Piano sounds, suitable for playing Legato Piano parts, and has a dedicated button for disabling the String Resonance feature temporarily. Nord has also added a flexible new Delay Effect with tap-tempo, rate, amount and a stereo Ping-Pong mode.
The number of Live Locations has been increased from 1 to 4, giving players greater freedom to experiment with new sounds and settings on the go that are automatically saved. Program access is also now easier than on the previous Electro model, requiring fewer buttons to push to find specific programs.
The Electro 3 HP has all the features of the original Electro 3 but sports a new 73-key Hammer Action Portable keybed, with an E-E range and 4 selectable Dynamic Response Curves.
And the Nord Electro 3 HP is just as portable, weighing just under 25 lbs, and includes mounts for the height-adjustable Keyboard Stand EX (optional accessory) and the Music Stand EX (optional accessory). Control Pedal compatibility includes: Yamaha FC7, Roland EV-5/7, Korg EXP2/XVP10 and Fatar VP-25.
The Nord Electro 3 HP is handmade in Stockholm, Sweden by Clavia DMI and is scheduled to ship in late April 2011.

iPhone 5 To Be Released In October With A5 CPU and 8MP Camera

Whether it comes in June or it comes in September as the latest rumors suggest, people aren’t really expecting the hardware to be a shock. It’ll definitely pack Apple’s new A5 SoC as boasted by the iPad 2; it might boast a Qualcomm baseband allowing the same hardware to run on both CDMA and GSM networks; it will probably have a revised antenna design to mitigate the chances of Antennagate II. These are no-brainers.
Analyst Ming-Chi Kuo’s of Concord Securities supports this view of the next hardware, with a twist: she says that the iPhone 5 will be announced in September and start production that same month, but not be released until October.
Kuo’s got a pretty good record here. In the past, he successfully forecast the quality (or lack thereof) of the iPad 2′s cameras, as well as predicted that the white iPhone 4 wouldn’t be released until April of this year. Hardly Criswellian soothsaying, but not bad.
Kuo also claims that when the iPhone 5 is released, it will boast an 8MP camera sensor. We’re guessing he’s talking about this one, which not only will allow the iPhone to shoot in 1080p video, but will also improve image quality by affording the smartphone 35% better low light sensitivity.

Dual-Core iPad 3

Samsung makes some great ARM-based smartphone chips… and even fabricate Apple’s in-house-designedA5 CPU, so when Samsung talks about the future of chips, they’re talking in part the future of the iPhone.
And what is that future? According to a Samsung rep, Samsung is “planning to release a 2GHz dual-core CPU-equipped smartphone by next year” that will have “the data processing capacities of a regular PCs.”
That’s a huge leap in the clock speed of the current A5 SoC, which maxes out at 1GHz per core. It does not appear that Samsung intends on keeping these chips to themselves, though: Samsung apparently hopes to sell the compontents to other manufacturers as well.
Could Apple be one of them? Maybe not, but it seems obvious that Apple will have a chip with similar capabilities available around the same time. If that’s right, then next year’s A6 CPU might boast 2GHz clock speeds per core. Just imagine demoing Infinity Blade on that.

Brazilian Super Model Alessandra Ambrósio

Brazilian Super Model Adriana Lima

Aurora Audio GTM-822 -- 8 by 4 Expandable Console





Input Channels :

• Eight channels expandable by adding additional units and linking the busses

• All inputs and outputs are balanced, line level and able to drive 600 ohms

• All inputs are via a four position gain switch (with classic red Marconi knob) which controls the input gain from +10dB to -20dB, plus another 10dB gain "in hand" in the fader.

• All channels have two inputs, either a 25 pin D sub for mixing or an XLR for tracking. The channels can be switched individually or globally via the blue "tracking" switches.

• All channels have pre-fade insertions and an LED VU meter that monitors the pre-fade insertion return level. By having the meter here, if no insertion is used then the meter follows the input, and if an insertion is used (like a compressor or EQ with high gain) the meter will indicate the level hitting the channel. THe LED has ten segments that range from -20VU to +3VU. All LEDS up to -1 are green, 0,+1 and +2 are yellow, and +3 is red.

• Two main stereo busses have an automatic pan control: Pressing L sends to the Left bus, pressing R sends to the Right bus, and pressing both selects the centre detented pan pot and lights a small green LED for confirmation. If the pan pot is central there is no difference in level and rotating the pot sweeps from +3dB to infinity.

• A pre-fade aux send control, intended as a stereo Cue Send, can also be used as an effects send because a stereo effects return path is also provided.

• The Channel fader knob has 10dB signal in hand and, by plugging a connector into the back of the unit, remote sliding faders can be used to control channel and output levels.

• Illuminated Solo-in-place and Channel cut buttons are at the bottom of each channel. When solo is selected, all channels that are cut will light their red LED in the cut button. Pressing more Solo buttons will release those mutes. The muting is controlled by opto-isolators to minimize clicks and to provide a smooth "cross-fade" perfect for dropping in a channel into a mix.

• A remote fader pack, either rackmountable or desktop, with a choice of either P & G or Alps faders, is connected via a 56 pin Elco connector. Custom cable lengths are made to order (long runs not a problem).


Master Section :

• Two Sifam VU meters and a Sifam Phase meter. The phase meter keeps a watchful eye on the Mono compatibility of the stereo signal.

•A four position source selection switch selects either the stereo output, the stereo playback return, the auxiliary sends, and the PT mix (assuming that it is assigned to channels 1 & 2) the pre-fade signals on these two channels being sent directly to monitor. The buffered VU meters follow the monitor.

• There are switchable outputs to two sets of loudspeakers and a mute control.

• A front panel headphone jack is provided with its own level control. Using the jack socket does not mute the loudspeakers. The output will drive any impedance from 8 ohms upwards and will drive over 7 volts into 600 ohms headphones.

• Master output level controls including Aux send pots. The Stereo output has individual level controls and a master cut switch.

• A Stereo effects return input with cut switch acts, in effect, like the ninth and tenth input to the mix bus.

•An illuminated blue "TRACK" switch changes the sources, globally, to the channels from "MIX" inputs on the 25 pin D sub to Track inputs on the rear panel XLR's. The channels can also be switched individually by the blue "TRACK" buttons on each channel. The channel outputs are available on the output 25 pin D sub and can be used to send mic pre-amplifiers signals to Pro-Tools (or other DAW) for tracking while the other channels are used for mixing.

• The rear panel has Neutric XLR's for channel inputs and channel direct outputs. These connectors are linked (via relays in the case of channel input) to two 25 pin D-Subs for Pro -Tools ® interconnect cables. All other inputs and outputs are on balanced TRS 1/4" jack sockets and all signal are balanced, line level.






Sonum H2O Preamplifier/D.I.



"Sonum H2O is a class A, discreet-component preamp and it stands out for its incredible overall gain (+69dB), transparency, transient-processing speed as well as for being completely noiseless. In other words: an outstanding professional Line and Hi-z mic preamp.

The internal innovative architecture and its electronic components, which have been carefully selected, have made this product totally different from the other manufacturer's currently on the market. Most notably, H2O is the only real "neutral preamplifier" available today for the standard API 500.

In addition to an unprecedented and innovative architectural formula for the best possible performance, H2O features 48 volt Phantom Power which is gradually managed in order to avoid damage to any linked devices, -17dB active Pad button and a signal Phase button. 
Another useful feature is the 12 micro led Vu-Meter with overload and memory function, that holds in memory the saturation value for a few seconds. "


http://www.sonum.it/en/Products.html

Sunday, April 17, 2011

Laurence Fishburne’s daughter is doing porn - Chippy D



http://montanaexposed.com/?nats=MjAwMDExLjEuMzMuODguMTE0LjAuMC4wLjA

Behind the Largest Counterfeit Audio Sting in History



"Think you got a good deal on those Beats by Dre? Might've. Or maybe you paid too much for a knockoff...... According to a recent study put out by the US Chamber of Commerce, counterfeit goods could account for as much as 10-percent of China's gross domestic product. Worldwide, it's regarded as $600 billion dollar industry—fully half of which is located in the US."
http://gizmodo.com/#!5791745/behind-the-largest-counterfeit-audio-sting-in-history-exclusive-photos

Still looking to buy an iPad2? Check Best Buy and Target.


Best Buy and Target both announced iPad2 availability 

Jane Bang "Crunk It"

SSL ALPHA-LINK MADI AX & MADI EXTREME 64 CARD BUNDLE



Solid State Logic XLogic Alpha-Link 

"The XLogic Alpha-Link Audio I/O range is a new family of fully featured multi-channel Audio Converters for Studio, Live and Broadcast Applications. The three different models each feature our high quality 24-channel AD/DA converter circuitry. 

All Alpha-Link units can be used as standalone format converters, but used in combination with a Soundscape Mixpander PCI card they provide a powerful, highly flexible I/O solution for native PC-based audio workstations."


http://www.vintageking.com/SSL-Alpha-Link-MADI-AX-MADI-Extreme-64-Card

Lynx Aurora 16 AD/DA Converter



"The Aurora 16 and Aurora 8 AD/DA converters provide world-class analog to digital and digital to analog conversion in a compact one-rack space format. With sample rates up to 192 kHz, Aurora offers wide, open, uncompressed and unequalized audio for studios, mastering facilities, remote recording, broadcast and production. Lynx’s exclusive SynchroLock word clock offers extreme jitter reduction, providing clean digital audio signals for Aurora and other digital devices in the studio.
Aurora also avoids some of the limitations that other pro level converters have. Aurora does not have a noisy fan, does not lose channel count at higher sample rates and does not require costly analog and digital modules to achieve the unit’s full channel count.
Several interfaces allow Aurora to be used in a number of different configurations. LT-HD allows Aurora to be recognized by and controlled from a Digidesign® ProTools|HD® system. FireWire access is easy using the LT-FW. 16 channels of ADAT Lightpipe I/O is made available with the LT-ADAT. And Lynx AES16 and AES16e allow interface with a wide range of Windows and Macintosh computers."




Adriana Lima

Saturday, April 16, 2011

If you own a Macbook Pro you need this $20 cable

The audio ports on the Macbook Pros are analog and digital.
From the Apple site:
http://www.apple.com/macbookpro/specs-17inch.html


"Audio

  • Stereo speakers with subwoofers
  • Omnidirectional microphone (located under left speaker grille)
  • Audio line in minijack (digital/analog)
  • Audio line out/headphone minijack (digital/analog)
  • Support for Apple iPhone headset with microphone"

To use the ports in a digital setup you need an Optical-mini to Toslink cable


http://www.cablestogo.com/product.asp?cat_id=2001&sku=27016#

Now that most DAWs including Protools allow you to use any any audio interface, this is a no brainer.
You can connect your laptop to the A/D-D/A converter of your choice and get the best quality sound. The Macbook's ports accept sample rates from 44.1khz to 192khz.

If you already own Toslink cables then just purchase the adapters ($2) at Amazon:

http://www.amazon.com/Toslink-To-Optical-Mini-Adapter/dp/B0002MQGRM/ref=sr_1_13?ie=UTF8&qid=1303004039&sr=8-13

You can also use this cable to connect to your home stereo or surround sound system.
Thanks to Mikey Bassie @MikeyBassie for bringing this to my attention.

This would make a great control surface: Multi touch DJing Mixing Desk - HoloDesk




"ICE AV Technology an international interactive and digital display innovation manufacturer, has launched its next product known as the HoloDesk(tm), the ultimate virtual DJ mixer for VJ and DJ artists. The technology behind the system draws on ICE AV's expertise in the latest developments in interactive and digital display technology from its significant catalog.
The screen features a dual image on rear and front sides of the screen creating a stunning view for the audience as they can now clearly see the creative manipulations of the DJ virtual controls. The concept now allows the DJ to be a central visual Performance feature for the audience using the DJ equipment and to be more connected to the audience. Many times in a performance whether solo or in a band, the DJ is often not prominent visually and in many cases hidden behind a bench of desk.

Both Traktor and Emulator can be used on the alternative iQRite Interactive LCD screens in addition to the ICE AV Holographic HoloDesk Mixing Desk.

Holographic computer displays first caught the imagination for many in the Tom Cruise movie, Minority Report where multi touch gestures on a transparent screen allowed Cruise to rapidly sort through and connect data simply by interactive touches.

Three projection laminates are available depending on the buyer preference.
The films from ICE AV are renown for their quality in the interactive and multi-touch industry and currently being offered are:

1 - HoloLite90 is a 90% transparent projection film that creates a Minority Screen experience with imaging on borth sides of the screen.
2 - HoloContraM is a dark grey projection screen that creates an impressive bright high contrast image.
3 – HoloDupix is a 360 degree imaging screen that delivers identical perfect images on both sides of the screen. Perfect for allowing the audience to view the same image.

The HoloDesk from ICE AV can be used with any mixing music software, VJ Video mixing software, dj mixer software, virtual DJ mixer or other creative software applications. It is designed for live stage performances, audio mixing, beat grid, dub step requirements. Currently the HoloDesk is designed for operation with any Windows OS PC computer." 

(Hopefully it will be developed for the Mac OS).
http://www.iceav.co.nz/news.asp?Task=View&PageID=244



INWARD CONNECTIONS Mix 690 Summing Mixer




Built using the same proprietary op-amps as the DEQ-1, the Mix 690 Summing Mixer sounds very large and fat while still retaining clarity and detail in the high end. The mid range comes across as punchy and perceptually loud, which adds excitement to any mix. The perfect way to relieve your overworked digital mix buss and restore resolution and depth to your mixes.
Features:
  • 16 line inputs with pan on each channel
  • Insert with bypass on the stereo buss.
  • Stereo master level pot
  • Stereo meters
  • Fully discrete
  • 20 of the infamous Inward 690 Op-Amp designed by John Hall
  • Can be linked with other mixers without sacrificing channels
http://www.vintageking.com/Mix690?sc=18&category=370

Friday, April 15, 2011

Tila Tequila Sex Tape of the Day


http://www.drunkenstepfather.com/index.php/2011/01/31/tila-tequila-sex-tape-of-the-day

Delora Software's gbTouch--iPad control surface for GarageBand

"Delora Software's gbTouch is an iPad app that seamless integrates many pro-level control surface features into GarageBand (Mac OSX version). It offers full transport controls (including a "jog strip" for easy play position movement), track mute/solo/rec, track names, track volume faders, and color-coding to indicate whether the track is a "real instrument" track, or a "software instrument" track. It uses Wi-Fi to connect to the Mac, giving you the freedom to control GarageBand from anywhere in your studio.
gbTouch's multitouch UI automatically adjusts to your preferred orientation (landscape or portrait)."

http://www.delora.com/delora_products/gbtouch/gbtouch.html

Phoenix Audio DRS-2 2 Channel Microphone Preamp


"The DRS-2 is the culmination of over 40 years experience designing Class A circuitry within the Audio Recording Industry. The DRS-2 was the first bespoke product to be launched by Phoenix Audio (UK) in the U.K. in November 1999, and has enjoyed an almost "cult" following ever since. The Class A output stage (TF1) was originally designed by David Rees, the designer of the famous Neve 2253 Limiter and 2254 Limiter/compressor (amongst many other designs), as a retrofit for Neve modules, and the TF1 has now been superseded by the DSOP2 output stage.
The Class A, discrete, truly balanced, transformerless microphone input stage was designed to out-perform any transformer input for frequency response, yet has all the characteristics expected in a high quality Class A design, while the discrete, Class A, high input-impedance DI stage delivers a clearer, stronger and more defined and open sound that captures all the nuances and subtleties of your instrument."

Phoenix Audio DRS-2 2-Channel Microphone Preamp Features

  • Stereo 1U unit: With 240V/110V mains voltage input selector switch
  • Class A Output specs. See the DSOP2 Specifications!!
  • Outputs: XLR's and TSR 1/4" Jack on rear
  • Phoenix Audio's unique Class A, transformerless, True balanced Mic input stage.
  • Microphone inputs: XLR's on Front and Rear Panels
  • Individual Earth Lift: Push-button switches

http://www.phoenixaudio.net/products_drs2.html

Federal TV corp. AM-864/U audio compressor/limiter (Vintage circa 1954)



"The AM-864/U is a peak-limiting audio frequency amplifier for use in either AM or FM broadcast system installations where it can automatically control the maximum level of amplification while retaining the audio quality of the program source. The AM-864/U could also be used in recording or in sound systems where automatic level regulation was going to be a requirement. The input Z is 600 ohms balanced and the output is also 600 ohms Z balanced, which is normal for most broadcast audio routing. Five tubes are used in the circuit that is powered by 115vac. The rear chassis adjustments control the point at which limiting is started and also how much limiting is allowed. The large control on the front panel controls the amplifier gain. The panel switch on the left selects if the meter is going to monitor the attenuation level or the amplifier output. The AM-864/U is a high quality device that had multiple uses and apparently the U.S. Army did use them in many different applications. Dates from the mid-1950s."
The AM-864/U sounds amazing on kick, snare, bass, guitar and vocals. Recommend using an inline pad on the output as this unit has some serious output gain. 
Here's a link to the AM-864/U manual: 
http://www.crossenstreams.com/federal_am864/Federal-AM-864-U-Manual.pdf

and a current ebay auction:
http://cgi.ebay.com/FEDERAL-AM-864-U-AUDIO-COMPRESSOR-LIMITER-Vintage-Tube-/300545886834?pt=LH_DefaultDomain_0&hash=item45f9ee4a72#ht_1479wt_1141

Universal Audio -- EMT 250 Classic Electronic Reverberator Plug-In





"Unveiled by EMT at the AES convention in 1976 and inducted into the TEC
Hall of Fame in 2007, the EMT 250 was the first digital reverberation device
to create ambience through a purely electronic system. With its single reverb
program and iconic lever-driven control surface, the EMT 250 is still an indispensable
tool within the record-making elite and is widely considered one of
the best-sounding reverbs ever made. Although only around 250 were built,
the EMT 250 has made an immeasurable impact on record making history in
the hands of studio legends like George Massenburg, Bruce Swedien, Allen
Sides and many others. Captured from Allen Sides’ unit at Ocean Way Recording,
endorsed by EMT Studiotechnik GmbH in Germany, and re-engineered
for plug-in use by EMT 250 creator Dr. Barry Blesser from his original
documentation, the UAD version of the EMT 250 goes beyond emulation and
is the very same algorithm found in the original units—for a fraction of its original
$25,000 price!
Besides the coveted reverb program, the EMT 250 for UAD provides the five
additional effects (Delay, Phasing, Chorus, Echo and Space) also included in
the original unit. Lighted pushbuttons select the desired program, while four
click-stop levers provide the primary reverb parameters of delay time, predelay,
and high and low Filtering. LED ladders provide additional visual reinforcement
of program selection and parameter positioning. Like the hardware,
the plug-in operates in “quad,” with two discrete stereo output pairs
accessed through the added front/rear output switch. Additional “digital
only” features include dry/wet mix, wet solo, reduced noise (if desired), and
hard bypass via the EMT power icon."

I'm a huge fan of UAD plugins and will do an in-depth review of the EMT 250 
showing actual use on a mix in the very near future.