Monday, July 18, 2011

SPL Plugin Sale (this week only) 25% off

I've been a fan of SPL hardware for many years and they have brought that same great quality, sonics and attention to detail into the software realm with their series of plugins. They're currently having a sale on their entire line of plugins so now would be a great time to make a purchase. Not sure if you would like them? Then download the demos and have a go. Guaranteed you're going to find something you like. Hurry the sale is this week only.


Transient Designer, Vitalizer, Passeq ...
Analog Code® plug-ins starting from 75 Euros.


Since our radical price reduction of almost 50% there is only one price for everyone. These prices are even below our former best prices so we will not have further reductions.
Still, lots of people keep asking us if we have a "Student Version" of our Analog Code plug-ins ...

So ...


  • Just in time for the beginning of the new term we will cut our prices a further 25%
  • On all our plug-ins
  • For EVERYBODY... We never stop learning, do we?

When? NOW!

Only the week from July 18-25, 2011

Where? At the SPL Store



Download Page

All installers of our Analog Code plug-ins
Note: All installation packages work either as demo or full version. When running a demo you only need to register it during the test period to get the full version.


MAC  PC  TDM  VENUE  RTAS  VST  AU



Prices and product specifications may change at any time. Check the detailed information on our sales terms and conditions.
SPL electronics GmbH, Sohlweg 80, 41372 Niederkruechten, Germany.
TM and Copyright © 2010 SPL electronics GmbH.
Analog Code® is a registered trademark of SPL electronics GmbH.



Sunday, July 17, 2011

Bias Pitchcraft $20 - that's 87% off!




Audiomidi.com is having a "No-Brainer" deal on Bias Pitchcraft which "corrects pitch problems in vocal or instrumental recordings, using its high-quality algorithm, while formant correction retains a voice's natural sound." . If you're on a tight budget this seems like a good alternative to Autotune and Melodyne.

Applications
  • Correct and/or change pitch in monophonic vocal or instrumental recordings
  • Create pitch-based special effects
  • Voice disguise

Features:
  • Reference Source Menu- Choose whether the reference source being fed into PitchCraft is a single (left or right) channel of a stereo file, or both channels simultaneously
  • Pitch Range Menu- Select the desired pitch range to use in the pitch correction/transposition process
  • A/B/C/D "Snapshots"- Use up to four temporary memory "snapshots" for quickly comparing different settings
  • Tuning History Graph- Visually monitor the pitch correction & transposition process over time. The Tuning History graph shows the input and output pitch, displayed either in notes or frequency
  • Pitch Transposition Slider- Allows raising or lowering the pitch value in cents, while maintaining the original formant structure (i.e., the "timbre" or "tonal color" of the voice.
  • Formant Transposition Slider- Adjust the formant value, or "cavity size" of the source to help to maintain natural sounding pitch change effects. This control can also be used to transform a vocal from one gender or age to the next, or create other special effects.
  • Pitch Correction Tuning Menu- Choose the desired type of tuning to be used in the pitch correction process.
  • Pitch Correction Scale Menu- Set the desired scale to be used in the pitch correction process. Select from common scale types to more exotic ones or create and save your own custom scales.
  • Pitch Correction Key Menu- Choose the root note of the scale selected in the Scale pop-up menu.
  • Pitch Correction Time Slider- Adjust the speed at which pitch correction is applied — for small corrections, generally a slower correction time works best while a faster time may be used for more exaggerated pitch correction effects such as those used by many popular artists.
  • Pitch Correction Detune Slider- Allows setting the reference frequency used for tuning (i.e., from 440 Hz to 445 Hz
  • Pitch Correction Custom Scale Controls- Define custom scales using the keyboard, a MIDI keyboard, and the Ignore Note checkboxes.
  • Tuning Meter- Displays the current amount of tuning in real-time
The $20 introductory price is for a limited time (list price $149).
Purchase Pitchcraft from Audiomidi.com


iKlip™ MINI Universal microphone stand adapter for iPhone and iPod touch






IK Multimedia who brought us the iKlip has released the iKlip mini.

" iKlip MINI is a universal microphone stand adapter for the iPhone® and iPod touch® to support your iOS device on stage, in the studio, at school or in the office.
Made of sturdy, durable thermoplastic, iKlip MINI is compatible with every existing iPhone and iPod touch, from the original models to the latest generation devices."


Features:
  • Sturdy, durable thermoplastic construction holds your iPhone and iPod touch securely without scratching or marring it
  • Compatible with all previous and current iPhone and iPod touch models
  • Firmly attaches to virtually any microphone stand, pole and tripod with diameters of 11 - 20 mm /.43” - .79”
  • Horizontal or vertical mounting with multi-angle adjustment and easy rotation
  • Can be placed on the mic stand vertical pole or its horizontal boom
  • All controls, buttons, connectors and camera of the iOS device are accessible
  • Fast installation — can be mounted in seconds
  • Includes detachable iRig bracket for the AmpliTube range of apps or any other guitar effects app
  • Perfect companion to the iRig Mic handheld microphone and vocal processing apps such as VocaLive
  • Can be used with a variety of apps including karaoke, score and tablature, DJ, recording, mixing, video, photography, teleprompting and many more
  • Designed and manufactured in Italy
Price: $39.99
Get more info at ikmultimedia.com


Saturday, July 16, 2011

12 Gauge microphones - Green12 Cardioid Condenser (made from shotgun shells)




12 Gauge Microphones is owned by Brad Martin. Each mic is handmade at his home studio in North Adams, Massachusetts.
Available July 25th

Here's a previous post I did on the Red 12 Omnis ($35):

http://garynobleshow.blogspot.com/2011/04/red12-omni-condenser-microphone-is-made.html

The RED12 Omni Condenser Microphone is made from shotgun shells!



"The RED12 Microphone is perfect for drum overheads and acoustic instruments such as guitar, mandolin, and violin. The custom assembly achieves the dependable and consistent performance you need for recording inside a compact, aesthetically pleasing shell that is as unique as it is bad ass.  

These omni microphones are built into an actual spent 12-gauge shotgun shell casing!"
Talk about going GREEN!

http://www.12gaugemicrophones.com/

Pensado's Place: #27 - Alex Da Kid Part 2!

Friday, July 15, 2011

Music Gear Industry Job Fair

WE'RE HIRING!
Numark International is a family of influential pro-audio, DJ, musical instrument and technology brands:

Numark, Alesis, Akai Professional, ION Audio and Alto Professional.

Now you can have a hand in shaping the future of the music scene by joining our team. Numark is hosting a Job Fair in Los Angeles, CA this week. This is an unprecedented open call for those with a passion for consumer electronics and pro audio gear and an obsession with serving the needs of DJs, musicians and consumers everywhere. The Numark Job Fair will give you a chance to speak directly with some of the people at the heart of our fast-paced and growing company. This is a tremendous opportunity to join our team and influence the next wave of innovation for DJs, musicians, producers, live sound engineers and consumers around the world.

The Job Fair will be held at the following time and location:
 

July 18, 2011

Westin Los Angeles Airport Hotel
5400 Century Blvd
Los Angeles, CA 90045
3pm-7pm
 

Positions are available in:
• Product Management
• Project Management
• Product Specialists
• Speaker System Engineer
• Engineering
• Social Media

All of the available positions are based out of our headquarters located in Cumberland, RI.
The Numark Job Fairs are open to all qualified candidates and there is no pre-registration required; this is a free event. Same-day interviews will be conducted for potential employment on a first-come, first-served basis. Candidates are encouraged to bring multiple copies of their resume, arrive early, dress professionally, and be prepared to ask questions and discuss career goals.
For more information, email Daniela Lundin, Numark Human Resources Director, at dlundin@numark.com
Numark, LP. 200 Scenic View Drive, Cumberland, RI 02864.

Party Like A Techie_Music Industry Analysis

FourSquare CEO_Dennis Crowley

One of my new Google+ friends (Chris Clayton) brought this article to my attention. Its written by none other than Bob Lefsetz. In the article he states that techies are the new rock stars and artists/musicians should follow their lead,
"Party like a rock star. We hear that all the time. That so and so is a rock star. You want to know who’s a rock star? The techies. The cofounders of Google have a veritable air force, and they’re not telling everybody about it. Rock stars used to function off the grid. Now the techies do and the musicians are positively mainstream.
The public has voted. The money is in tech. Because it’s the land of excitement, where innovators go to blow our minds. That used to be music’s domain. But music abdicated its position. If music is to count again it must take the above lessons very seriously, or else it will be doomed to be the second-class citizen it has become."



Here's another excerpt:

"3. Focus on the product first, not the money! Google, Foursquare, Twitter, Facebook, each and every tech startup began without a business plan. When you start playing music and immediately want to get paid you’re sending the wrong message. Make it about the product first, figure out how to make money second.
4. It’s all about the users. Sure, Facebook is constantly changing its privacy settings, but do you notice the backlash?
5. Marketing comes last, if at all. Google didn’t advertise until long after it became a household name.
6. Position yourself as cutting edge, as new. No tech startup gets a toehold unless it’s doing something new, why do you think you’re going to be a big success in music replicating what everybody else does?
7. Position yourself as a renegade. That’s part of the hoodie ethic in tech. In music everybody dresses up in finery and kisses the butt of anybody who might get them ahead, radio, the press, the guy at the label. These people should be afraid of you, they should not understand you, they should be your friend last.
8. Education/practice. Mark Zuckerberg went to Harvard, as did Bill Gates. Why do you think you can make it in music if you’ve got no talent and haven’t practiced? You don’t get into Harvard on a whim, you’ve got to perform for twelve years in advance, get great SATs, have incredible grades. Bill Gates was coding when he was still wet behind the ears. If you started playing yesterday and expect to be famous tomorrow, we’re laughing."

I think he makes some very relevant points. What do you think?
Read the entire article here.

Thursday, July 14, 2011

Slate Pro Audio Dragon - Dynamics Processor




The Slate Pro Audio Dragon is an extremely versatile, well built and great sounding compressor/ limiter.
Whether you work ITB, OTB or hybrid (combination of both) this compressor/limiter would be a great addition to your studio. Useful for both tracking and mixing. Link two for use on stereo groups/busses or master out of your favorite DAW.

From their website:

"The new SLATE PRO AUDIO DRAGON is unlike any dynamic audio processor you've heard before. Simply put, the DRAGON was created to be the most versatile compressor, limiter, and sound shaping tool that the pro audio industry has ever seen.

The Concept

The DRAGON starts with a classic FET compressor circuit, reminiscent of vintage units from the 60's and 70's. But the SLATE PRO AUDIO engineers enhanced the circuitry of the unit with a mastering grade signal path, including a CLASS A output section based around a custom-made transformer. The result is a compression quality that is rich and warm, but is also capable of sharp and aggressive tones. But this is only the start of what the DRAGON can do."

Here's an excerpt from an excellent SOS review:

"The Dragon is quite an unusual compressor because it offers so much in the way of additional tonal variation and saturation effects compared to most conventional units. With the Vintage, Sheen, Bite and Boom sound-mode switches, the Dragon can be set up with ease to provide anything from really quite crisp and sharp-sounding dynamic control on the one hand, right through to dark, warm and organic characters on the other — plus pretty much everything else in between.
The mode switches all live up to their names very well too. Boom does indeed fill out that bottom end (although you’ll need full-range monitors and a good room to really appreciate the magic going on in the bottom octave) and Vintage brings that harmonic complexity associated with transformers and valves. Sheen really does smooth out the top end in a classic vintage opto-comp way, while Bite introduces an edge that really helps the source cut through."

Audio demos of the Dragon can be found here.

Check out Zen Pro Audio's video demo:


$1799 at Zen Pro Audio


Upcoming Avid Webinar and live Q&A with Frank Filipetti and Tony Cariddi

No matter which DAW you use attend this webinar featuring the great Mr. Filipetti himself.

Learn from a Legend - Frank Filipetti. Attend the webinar and live Q&A
 

Register Now
Thursday, July 28, 2011
10 am PT
(1 pm ET / 5 pm GMT)
Join Grammy-winning producer/engineer/mixer Frank Filipetti
(Book of Mormon, James Taylor, Korn, Elton John) and Avid's Tony Cariddi for an insider's look at what it takes to be successful in the music industry. Hear about Frank's beginnings and how his experiences shaped his work and career path.
  • Discover his approach to mixing
  • Get the scoop on why he switched from analog to digital before everyone else
  • Find out how he transitioned his studio to his home
  • Hear why Pro Tools|HD Native is the biggest leap in sound quality he's experienced
Plus, Frank will be available during and after the webinar to answer your questions, soregister today and get ready to join the conversation.
We're Avid. Learn More ›
© 2011 Avid Technology, Inc. All rights reserved. Product features, specifications, system requirements and availability are subject to change without notice. Avid, the Avid logo, and other Avid trademarks are either registered trademarks or trademarks of Avid Technology, Inc. or its subsidiaries in the United States and/or other countries. All other trademarks contained herein are the property of their respective owners. All prices are USMSRP for the U.S. and Canada only and are subject to change without notice. Contact your local Avid office or reseller for prices outside the U.S. and Canada.

Wednesday, July 13, 2011

GRIMM|Audio LS1 studio monitor




The GRIMM Audio LS1 is an unusual but visually appealing speaker monitor designed on the principles that "beauty and musicality are as much a part of recording as balance, sound staging and timing... such a speaker is not only comfortable to mix or master on but it translates like no other "
It seems it would be equally at home in a mastering suite, studio control room or high end home system.
"Despite their compact size, the floor standing speakers are clearly intended as main monitors in mastering studios and mixing rooms that have space to put free-standing speakers. The DSP controlled analog subwoofer output allows for perfect and easy integration with stereo subwoofers, for those that need high SPL performance below 40 Hz."
The LS1 comes complete with "the drive electronics, encompassing two 180W Class D power amplifiers, a 48/76-bit DSP, digital I/O, AD/DA and the same clock circuit as their CC1 master clock housed in one of the two legs"







The optional remote makes it very easy to setup and adjust the sound of the LS1:

"The LS1 can be remotely controlled via midi. Every set comes with a USB midi interface and a remote control converter box that facilitate connection of a Windows or Mac PC to the loudspeaker. Through that connection, the LS1 remote software controls all LS1 functions. This software also offers interfacing with any device that has access to a virtual midi bus in the PC, like DAW monitor controllers."

Remote Screenshots:
Add caption








Grimm Audio LS1 Reference Studio Monitors Features:
  • Two-way active loudspeaker with DSP crossover correction
  • Extremely accurate frequency response and time domain response
  • Minimum phase, zero pre-echo impulse response
  • Sealed enclosure, precisely controlled bass response
  • Wide baffle: controlled dispersion down to 250 Hz
  • Digital and analog inputs
  • DSP controlled frequency curve
  • Well-behaved off-axis response
  • Analog subwoofer output. Easy subwoofer integration
  • Midi I/O for control of volume and settings
  • Daisy-chainable
  • User-settable low corner and baffle step correction
  • Compatible with 32kHz to 192kHz sampling rates
  • Audiophile quality Seas drivers
  • Natural/brown or caramel/black color scheme

Grimm Audio LS1 Reference Studio Monitors Specifications:

  • Frequency response: 55Hz-30kHz +/-0.5dB. 45Hz-40kHz -3dB (Low corner is user-settable between 35Hz and 100Hz, Q=0.7 or 0.5)
  • Deviation from minimum phase +/-2°
  • Amplifier power: 2x120W
  • Max SPL: 109dB/1m
  • SNR: 114dB (unweighted)
  • Crossover function: 1.55kHz LR4, sum corrected to minimum phase
  • Latency: 2ms
  • Internal volume: 14 liters
  • Height: 1450mm, 1150mm available on demand
  • Width, depth: 520mm x 160mm


Remote Features:
  • switches for analog and digital sources
  • extensive volume, mute and dim functions
  • unique bass reflex simulation mode
  • access to all LS1 parameters
  • links to DAW controllers
$14,495 (pair) at Front End Audio



Tuesday, July 12, 2011

Reason 6 announced by Propellerhead



Propellerhead recently introduced Reason 6 and it seems to be a major update.

From their website:
"With version 6 Reason reclaims the spotlight. Combining all the features from Record, version 6 adds audio recording and editing into Reason, along with Propellerhead's acclaimed mixing console with masterfully modeled EQ and dynamics on every channel, multiple parallel racks, all the effects you know and love plus new ones to fall in love with, and much more of what you've always wanted in Reason."
Check out the video:


Here are some screenshots of some of the new Reason 6 features:

Neptune - pitch adjuster/transposer/voice synth

Alligator - 3 channel gate effect

The Echo - advanced stereo delay/performance effect

Pulveriser - the name says it all

Mixer


In stores September 30th, 2011
Sign up to be a beta tester here

WavesTune 80% off

Waves Tune is not as well known as Antares Autotune but it is just as capable if not more so. I'm currently mixing a song where I'm using this on the lead vocal in some spots. Take a look at the videos below for tips on how to use WavesTune.


wavestune
waves-tune-plugr
july_tune-price
The singer has just wrapped up an amazing take. The phrasing, the emotion, the delivery, it’s all there. But there are notes you’d like to change, and others that need to be fixed. You need perfect pitch transformation. You need precision realtime editing capabilities. You need Waves Tune.

With full ReWire support, formant correction, and an extensive palette of pitch shaping tools, Waves Tune lets you do all your editing from within your DAW - no need to export sections or work offline. Better sounding and more flexible than any other pitch correction processor, WavesTune will get your vocals back on track.

july_tune-video-h1july_tune-video1july_tune-video2

Monday, July 11, 2011

AKG Q 701G Quincy Jones Signature Line Over-Ear HeadPhones

Q701

"The Q701 reference-class premium headphones are the most accurate and responsive headphones AKG has ever produced. The over-ear headphones feature revolutionary flat-wire voice coils that create a spacious soundstage with excellent imaging and transient response. Patented two-layer diaphragms similar to their professional studio counterparts offer sparkling high-frequencies as well as accurate bass response. Additionally, a high- performance neodymium magnet system makes the headphones heat-resistant for minimal distortion at any listening level. The Q701s deliver pinpoint imaging with unmatched realism."

FEATURES:
  • Revolutionary flat-wire voice coil Patented Varimotion two-layer diaphragm 
  • High-performance neodymium magnets 
  • Totally open-back design High-performance
  • 99.99% oxygen-free cable 
  • Professional 6.3mm stereo plug 
  • Unique "3D-Form" ear pads for perfect fit 
  • Cushioned, genuine-leather headband.
There are also portables and earbuds.

Q460

Q350


All are available at Sweetwater Sound.
Q701 over-ears $399
Q460 portable/iPhone compatible $169
Q350 in-ear $99

innerTUBE Audio's Dual Atomic SqueezeBox


The Dual Atomic Squeezebox from innerTUBE Audio is a stereo compressor/limiter capable of drastic gain reduction with minimal artifacts. It's equally at home on the stereo buss, drum buss, background vocals or individual sounds. It's a solidly built, high end unit with great sonics that has become an industry standard.

From their Press Release:
"Two Atomic Squeeze Box’s are combined in one convenient and compact package. They may be operated independently or switched to Stereo mode. The Atomic Squeeze Box is a full-band, dual-triode tube-based, analog signal amplitude processor. Its unique circuitry provides a wide range of automatic level control while imparting virtually none of the sonic artifacts that are usually associated with conventional compression and limiting. Even with steep ratios and low thresholds, the ASB remains incredibly transparent in operation. In the Stereo mode, the side chains are coupled and the setting of the longest release time adjustment sets the release time. Our innovative new (!) design virtually tracks the program envelope for its release function with the same accuracy and agility that it tracks for the attack function. Whether your need is taming an out-of-control vocalist, bass player, or just some very, very smooth level control; the Atomic Squeeze Box will open your eyes to a whole new horizon of smooth audio delights. The tube-based circuitry and custom nickel-core audio transformers impart a warmth and richness to the program that reminds us of the glorious sound of the finest analog audio. The distortion is very low, typically under 0.1%, even with 20 dB of gain reduction!"

Here's an excerpt from an '05 MixMagazine review:
"The Dual Atomic Squeeze Box put a heightened point on kick and snare drum tracks, which — when the processed results were combined with the dry source tracks — really made the drums rock. Amazingly, I could hear no pumping of the snare track's hi-hat bleed, even with up to 20 dB of gain reduction!
On quadruple-tracked background vocals, dialing in a very fast attack, very slow release and high slope slammed the tracks with more than 20 dB of gain reduction without thinning their tone — just what this arrangement needed for the background vocals to sit unobtrusively at ear-candy level in the subsequent mix.
Next up was electric guitar, blowing through a cabinet miked with a Royer R-122. Setting very fast attack and release times and sky-high slope for 8 dB of gain reduction on peaks, the sound was dynamite — warm, crunchy and in-your-face, but again, with no hint of pumping.
The unit also lent excellent dynamics control — characteristically not unlike that provided by an opto-compressor — to lead vocals. I heard some loss of depth with 6 dB of gain reduction, but no pumping.
The Dual Atomic Squeeze Box sounded really incredible on stereo room mics for drums. Dialing in 10 dB of gain reduction — using ultra-fast attack and release times and a high slope setting — produced absolutely slammin' tracks. But what amazed me was that there was only very mild pumping on crash cymbal hits. The unit's Link switch kept the stereo image rock-solid."


FEATURES:
  • Dual-Triode Tube Circuitry 
  • Gain Reduction to 20 dB + 
  • Dual Mono / Stereo Operation 
  • Low Distortion & Low Noise 
  • Ultra Smooth Release

SPECIFICATIONS:
  • Gain Reduction 0 to over 20 dB of compression 
  • Modes: Two independent mono units, or may be switched to Stereo Mode with release time common. 
  • Attack Adjustment Continuously Variable, from molasses to lightning 
  • Slope Adjustment Continuously Variable, from linear to approximately 30 to 1 
  • Release Adjustment Continuously Variable, with automatic envelope tracking 
  • Total Harmonic Distortion < 0.1% THD, with 20 dB compression 
  • Noise Floor: > 85 dB below 0 VU 
  • Frequency Response ± 1.0 dB, 20 Hz to 20 kHz @ +4 dBm, -3dB 15 Hz and 90 kHz 
  • Input Level -20 dBm to + 20 dBm 
  • Output Level / Meter Calibration 0 VU = +4 dBm 
  • Input Impedance Nominally 2,200 ohms, floating (transformer isolated) 
  • Output Impedance Design to be loaded 600 ohms or greater, floating (transformer isolated) 
  • Panel Size 2U, (2 rack spaces) 
  • Depth behind Front Panel 12 inches 
  • Connectors In / Out Audio on 3-pin XLR, pin 2 hot 
  • AC power via IEC Type III 
  • Power Supply Housed in a separate module, 8 x 6 x 3 inches, interconnected with a multi-pin cable / connector, Fuse 1.2 ampere, 3AG (120 VAC model) 
  • Power Requirement 50 watts @ 117 VAC 
  • Export Model 240 VAC (available on special order) 
  • Tube Complement 4 x 6SL7, and 4 x 6SN7 
  • Warranty 90 days on parts, labor and tubes. All the other parts are warranted for 5 years, misuse and abuse excepted. 
  • Shipping Weight 25 pounds