Friday, April 22, 2011

Overloud's BREVERB - great sounding, flexible and reasonably priced reverb




BREVERB offers high-quality musical reverb processing with a flexibility previously available only in extremely expensive hardware reverbs. BREVERB is also engineered to achieve the highest levels of musicality helping you to place it perfectly in any mix.
Unlike convolution reverbs (a reverb that reproduces the real impulse response of a real hall) which recently have gained a lot of popularity, BREVERB allows you to vary the nature of reverberation through several parameters, giving you the flexibility and real-time feedback that has always been a prerogative of the most famous studio digital reverbs.

Features
  • 4 main Algorithms: Hall, Room, Plate and Inverse
  • Modeled after the most sought-after hardware units
  • Each Algorithm is engineered with no compromises in order to achieve maximum quality
  • Full EQ section to tailor BREVERB frequency response
  • Extended Nonlinear section to forge reverberation shape
  • "Motion" parameters add liveness, musicality and the "air movement" of a real room
  • The analog output section of the hardware unit has been emulated for reproducing their personality
  • With dynamic parameter, the input level can control Time, Mix and EQ
  • Two different user interface modes: compact and hardware-like
  • Six fully assignable and automatable hardware-like faders
  • Full automation through host sequencers
  • Realtime Midi control off all paramters through the six faders
  • No additional latency introduced
  • Very low CPU usage: 120 stereo instances safely opened on a Core2Duo 2.4 GHz MacBookPro
  • Host-sync of all rates and times

 I will do a full review on the BREVERB very soon including actual mix use.

Nintendo's Wii 2 will have HD and touchscreen controllers


"Nintendo’s next generation Wii console — currently codenamed “Project Cafe” — could land later this year, and it may sport a new controller with a touchscreen display. A user in the NeoGaf forums has posted several images that provide additional details on Nintendo’s rumored system. According to the photos, “Screen Stream takes the 1080p image and pushes each rendered quarter to the player’s personal TV screen,” which is on the controller itself. So if you’re partaking in a four-player game, for example, you’ll be able to view your slice of the HDTV screen directly on your controller. Similarly, we imagine instances where a gamer could manage his or her character’s traits or abilities directly from the controller itself, without having to pause the game for everyone to access game menu options. IGN says the Nintendo Wii 2 will likely cost between $350 and $400, will offer 1080p output with possible support for stereoscopic 3D, and will run a newer version of AMD’s R700 GPU"

Stereo Image Enhancement/Widening Tips



Protools Air Stereo Width


Logic Pro Stereo Spread and Direction Mixer
Stereo enhancement plugins are great mixing tools but can cause issues with your mix if used improperly.


Here are a few suggestions on using a stereo enhancer:
1. Always check the mix in mono as stereo wideners wreak havoc on phase. Pay special attention to the low end as it can sound thin and lack punch when the stereo enhancer is improperly set.
2. Use the stereo widener on individual sounds or aux/group busses. I'm not a big fan of using stereo enhancement on the 2-buss/master (but if you do remember tip #1).
3. Use stereo wideners sparingly. Less is more. The contrast between the mono, slightly panned and wide elements is what creates the illusion of a super wide mix. Don't widen every sound just the ones that make the mix interesting.
4. Experiment with using stereo wideners on the efx returns instead of the direct sounds. You can use more drastic settings without the direct sounds losing presence or mono compatibility.
5. Don't pan all your stereo sounds hard left and right. This will give you what we call wide mono and increases the chances of sounds masking each other. Try panning some sounds this way:
LEFT (hard left) -RIGHT (slightly right of center) and RIGHT (hard right)- LEFT (slightly left of center). Experiment with different panpot settings to hear what works best for the song.
6. All sounds don't have to be stereo. Mono sounds take up less space in your stereo field and with proper panning can seem bigger and wider than it would in stereo. (Tip: Pan your mono sounds to one side and it's effects to the opposite side.)
7. Use EQ to make your sounds appear wider by eq'ing the left and right sides differently. If you boost  certain frequencies on the left cut them on the right and vice versa. Make sure to listen and adjust for level differences. I've used this trick many times when mixing on an analog board. It's also a great way to create pseudo stereo sounds out of a mono signal.
8. Use chorus, phasers, short delays etc. to widen the stereo image. This works great on vocals and lead instruments. Pay special attention to the delay parameters a small difference in the left and right delay times can make a huge difference in perceived wideness of a sound.
9. Experiment. Experiment. Experiment. 

Most DAWs have stereo enhancers as part of their stock plug-in set (Protools' Air Stereo Width, Logic Pro's Stereo Spread and Direction Mixer pictured above) but one of the most well known is the S1 Imager from Waves Audio. There are other stereo enhancers such as Brainworx bx_solo, Flux Stereo Tool (both of which are free) PSP StereoPack and DrMS Spatial Processor plugins.


Brainworx bx_solo
Flux Stereo Tool
PSP StereoPack
DrMS Spatial Processor
As far as hardware enhancers go two of my favorites are the SPL Classic Vitalizer (there's also SPL's high-end Tube Vitalizer which is available as a plugin) and the Behringer Edison. I've used both of these units on many mixes in the past. Another great hardware stereo enhancer is the SRS MW-02 MegaWide Processor.


SPL Classic Vitalizer


SPL Vitalizer MK2-T plugin


SPL Tube Vitalizer

Behringer Edison


SRS MegaWide Processor
The SPL Vitalizer, Behringer Edison and SRS MegaWide are discontinued but can be found on Ebay.
A great feature of both the SPL and SRS units are the bass controls which allows you to shape or contour the low end and controls to enhamce the midrange clarity in addition to enhancing the stereo image. The Edison has a built in Phase meter and a Center Distance control which allows you to change the depth of central elements in the mix such as the lead vocal.

Here is a snapshot from an actual session and a review I did earlier of the Waves S1 Shuffler plugin:


  
I used the Waves S1 on Estelle's song "Star" (produced by Kardinal Offishall) which is featured in a Crystal Light commercial. The S1 is a spatial enhancer that can be used to correct or improve the stereo image of a mix or group of sounds such as background vocals, synths, strings etc. The S1 has several controls. The gain slider adjusts the overall level of the S1. Width controls how much the sound stage is widened or narrowed. A width of 1= no change, less than 1 = narrower sound stage and more than 1= wider sound stage. Shuffle controls the width of the the bass frequencies. This helps to make sounds appear wider than they really are because if the way our hearing works (we tend to hear bass frequencies as having a more narrow sound stage than mids and highs). A shuffle setting of 1 means no change and 3 is maximum width. Freq chooses the frequency below which the Shuffle will affect the signal. Bass Trim adjusts the level of the bass after the Shuffle has been applied. 0 is neutral. NOTE: Always monitor in mono after making changes with the S1 to check for mono compatibility and phase issues. Asymmetry is useful for altering the far left and right of the sound stage without affecting the center image. Rotation allows you to change the centering of the sound stage without affecting the relative levels of the sounds. (Click and drag in between both faders to move them both at the same time) The input mode buttons allow you to flip the phase of the input channels independently of each other (great for fixing out-of-phase stereo sounds) and also to process M-S (Mid/Side) material. The L out R output button sets the S1 output to L/R (Stereo) or M-S(Mid/Side). For an explanation of M-S see: http://emusician.com/mag/emusic_front_center/ 

For more info on the the Waves S1 Stereo Imager series visit: http://www.waves.com/Content.aspx?id=275

To purchase the S1 Imager as part of a Waves bundle visit B&H Photo, Video and Pro Audio at: http://www.bhphotovideo.com/c/product/213413-REG/Waves_GNB_Gold_Native_Bundle.html


If you come up with a new/different way of enhancing your stereo sounds feel free to post it in the comments. I will add it to the blog and credit the author.

Police knew about, used iPhone tracking logs.


"Law enforcement agencies have known since at least last year that an iPhone or iPad surreptitiously records its owner's approximate location, and have used that geolocation data to aid criminal investigations.
Apple has never publicized the undocumented feature buried deep within the software that operates iPhones and iPads, which became the topic of criticism this week after a researcher at a conference in Santa Clara, Calif., described in detail how it works. Apple had acknowledged to Congress last year only that "cell tower and Wi-Fi access point information" is "intermittently" collected and "transmitted to Apple" every 12 hours.
At least some phones running Google's Android OS also store location information, Swedish programer Magnus Eriksson told CNET today. And research by another security analyst suggests that "virtually all Android devices" send some of those coordinates back to Google."


Read more: http://news.cnet.com/8301-31921_3-20056344-281.html#ixzz1KGFOUYmO

If you record live instruments you need this plugin


Sound Radix Auto-Align is an automatic microphone time alignment plug-in.
Time-aligning a multi-microphone setup is crucial to achieve coherent and punchier sound. When recording an instrument with more then one mic, sound tends to reach each microphone at a slightly different time and thus cause some frequencies to cancel each-other while other frequencies can build-up unnaturally.

Auto-Align will "listen" to your multi-mic recording and will automatically measure and compensate for the delay between the microphones - sample accurate.

When distant microphones are used and a delay is desired to preserve a sense of space, Auto-Align can time-place the microphones to better match the close-mic'ed source.

For more information and to download the trial version please go to
:
www.soundradix.com

Thursday, April 21, 2011

Crysonic Easter Sale 7 plugins for $59!!!! (94% off)!!!

Easter SUPER No Brainer Deal Everything Bundle Worth $873 only $59! until 25 April

http://www.crysonic.com/

Nomad Factory's ECHOES - ANALOG ECHO BOX $49!

ECHOES - ANALOG ECHO BOX



















"Nomad Factory is proud to introduce ECHOES, a new Analog Echo Box plug-in designed to give you the warmth and richness of classic vintage delay effects.
ECHOES faithfully models the greatest delay effects of all time, PLX-1 based on* Echoplex® 1, PLX-3 based on* Echoplex 3, OILCAN based on* Tel-Ray® Oilcan Delay, EHX-DM based on* Electro Harmonix® Deluxe Memory Man, and ADM-2 based on* Boss® DM-2 Analog Delay.
Following the philosophy behind Nomad Factory’s hit Magnetic plug-in, ECHOES not only sounds amazing, but it is designed to be very easy to use. Unlike many other delay plug-ins that have dozens of unnecessary knobs and confusing parameters, ECHOES has captured the essence of the original effects by keeping it simple. With the turn of a few knobs, the plug-in delivers musical results and instant analog delay satisfaction!"
ECHOES is currently on Sale for $49 at DontCrack's website:

Sonnox Oxford Inflator with My Video Example



The Sonnox Inflator plugin (part of the Sonnox Elite Bundle) is a loudness enhancer but operates differently than a limiter. A limiter reduces the dynamic range and then raises the overall level of the signal. the Inflator also raises the average (RMS) level of the signal but doesn't change the dynamics of the music. So you can make your mix louder but without it having that squashed lifeless sound. When used in conjunction with proper limiting it will give much better results than just using a limiter by itself.
The Inflator controls consist of INPUT, EFFECT, CURVE and OUTPUT. There are also CLIP 0dBr, BAND SPLIT and an IN button (bypass). The INPUT fader sets the level of the signal entering the plugin and should usually be set at Odb. It can be set above Odb to overdrive the plugin for distortion effects. The EFFECT slider controls how much enhancement is added by the plugin. The range is 0 to 100%. The CURVE slider adjusts the processing nature of the plugin (i.e. less/more pronounced). The output slider sets the output of the plugin. This s definitely needed when inserting other plugins after the inflator. The CLIP 0dBr button when lit prevents clipping by restricting the maximum output of the Inflator to Odb digital. When turned off this button allows the plugin to be overdriven at will. Also when the CLIP 0dBr is de-selected the input meter levels will show how much overdrive is being added to the signal. The BAND SPLIT button selects between full bandwidth processing and splitting the signal into LF (low frequency), MF (mid frequency) and HF (high frequency) bands. In most cases it's best to leave this de-selected but feel free to experiment.
This plugin is usable on the stereo buss, group aux or even individual sounds especially when overdriving the Inflator to add not just level but harmonics to the sound.
A good starting point is to set the effect to 100% and the curve at 0. Also set the INPUT and OUTPUT to 0. Now play your song or mix and listen to what the Inflator is doing to the sound. Adjust the curve to see how it changes the perceived loudness and texture of the sound. When set to the minimum of -50 the Curve has the effect of increased harmonic content but less perceived loudness. It also tends to emphasize the louder more present elements of the song/mix and reduce the level of the softer more ambient parts. This setting works well to enhance drums and percussion. To get maximum effect and that "in your face" sound push the CURVE slider to +50. This increases the Inflator's behavior on the sound to maximum effect but be warned it can drastically change the spectral balance of your mix. Once again experiment with different settings for best results. Below is a clip showing the Inflator being used on a track (produced by Carlisle Young) along with the Waves L3.




Here's a link to Sonnox' website where you can download a demo or purchase the Inflator:
http://www.sonnoxplugins.com/pub/plugins/products/inflator.htm

Jury can see Michael Jackson autopsy photos in his doctor's trial


California Superior Court Judge Michael Pastor ruled Thursday that two autopsy photos of Michael Jackson can be submitted as evidence during the upcoming trial of Dr. Conrad Murray, a person inside the courtroom told CNN.
Murray is charged with involuntary manslaughter, with authorities alleging that he gave Jackson the drug propofol, which the Los Angeles County coroner ruled caused the singer's death June 25, 2009.
Jury selection in Murray's trial began last month and will continue into early May. Opening statements and testimony are scheduled to begin May 9.
The defense has argued that Jackson self-administered the propofol in a desperate attempt to get sleep before a rehearsal.
Murray told investigators that he was trying to wean Jackson off propofol in the last days of his life but that he used it along with other drugs to help the pop star sleep that last morning.
The defense claims that the singer's dermatologist, Dr. Arnold Klein, injected Jackson with powerful painkillers dozens of times in the last months of his life, unknown to Murray.
The Medical Board of California and Los Angeles County coroner investigated Klein after Jackson's death, but he was never charged, and no action was taken to revoke his medical license.
This month, Michael Jackson's dermatologist was ordered to give copies of the pop star's medical records to Murray's attorneys.
Defense attorney Ed Chernoff argued that he needed the financial and medical information to make the case that Jackson, who he said was "a desperate man in many respects," gave himself the fatal dose of surgical anesthesia while the doctor was not watching.
Pastor did not order estate executors to give the defense detailed financial information about money the singer owed when he died. But he said Jackson's former business manager, Tohme Tohme, must testify in Murray's trial.

Transient Shaper plugin









The Transient Shaper from Schaack Audio Technologies is a plugin that works on the same principle as the SPL Transient Designer but with an added touch. It has a DRIVE control that adds saturation to the signal.As it's name suggests the Transient Shaper alllows you to shape the transients by increasing/decreasing the sound's attack and release envelopes. The controls consist of an ATTACK knob, a RELEASE knob, a DRIVE control (which is used to add the saturation I mentioned earlier) and an output GAIN knob.

Both the ATTACK and RELEASEe controls feature 3 different shapes: sharp (sharper faster transients), mid and soft (softer rounder transients). The ATTACK increases when turned clockwise and decreases counter clockwise. The same goes for the RELEASE except that it affects the sustain or release envelope of the sound. I've actually used it to remove some of the reverb from drum sounds that were recorded with too much reverb on them. You can also use an expander/gate to de-verb sounds but the Transient Shaper sounds more natural to me. The DRIVE control adjusts the amount of saturation that's added to the sound. This adds a more analog texture and also softens the peaks to give you more level without clipping the channel (reminds me of tracking to tape) . When turned fully counterclockwise it has no effect. The LED below the DRIVE knob indicates when saturation is being added.

The GAIN knob adjusts the output level of the plugin and should be adjusted last. It is not active when the plugin is bypassed so you can easily match levels when comparing the sound before and after processing. For more precise control hold down SHIFT when making adjustments. The plugin provides two views BIG and SMALL. The SMALL view shows only the controls and takes up much less screen real estate. I wish all plugins did this.




For more info, audio demos and to download a copy of the Transient Shaper visit:

http://www.schaack-audio.com/transientshaper.html

'American Idol' Masters an Album Each Week at Bernie Grundman's

Bernie Grundman Mastering in Hollywood, Calif., reports it hosts weekly mastering sessions for the long-running Fox TV variety series, American Idol, in which Brian "Big Bass" Gardner masters a new album of songs by the show's contestants. On Friday, Jimmy Iovine, chairman of Interscope Geffen A&M Records, meets with competing contestants to go over the song possibilities, and each one picks a song. Over the weekend, they track with top producers, including Rodney Jerkins, Jim Johnson, Ron Fair, Tricky, Rock Mafia, Don Was, Toby Gad, Dallas Austin, Harvey Mason, Jr., and Ryan Tedder. 
photo of Chuck Reed, Jose Alcantar, Brian
Pictured in session at Bernie Grundman Mastering are, from left, Interscope/American Idol music production supervisor Chuck Reed, recording engineer Jose Alcantar, and mastering engineer Brian "Big Bass" Gardner.
"The artists come in and record vocals for the full song version which will be on the week's download album," explains Chuck Reed, Interscope VP of Recording Operations and the show's music production supervisor. "We also record stems to incorporate with the live band, which is a shorter version for on air. The full album version is mixed and then mastered on Tuesday morning for download after each show."
As of January 2011, American Idol is said to be the most-watched TV series in the Nielsen ratings and the only program to have been Number One for six consecutive seasons. 
"We master each week's album at Bernie Grundman's with Brian 'Big Bass' Gardner," says Reed, "because he is a great mastering engineer in every genre from hip-hop to jazz. He knows all the styles on 'Idol,' including pop, R&B, rock and country. In fact, this week we mastered Creedence Clearwater's 'Have You Ever Seen the Rain,' and Brian had mastered the original back in 1970."
In the current season, music producer Jimmy Iovine appears behind-the-scenes working with and lending his expertise to the contestants as they compete to become the next American Idol. New judges for 2011 are Jennifer Lopez and Steven Tyler, joined by returning judge Randy Jackson.

Innovason Unveils New Eclipse GT Digital Mixing Console

Innovason of Plougoumelen, France, has unveiled Eclipse GT, the latest incarnation of its Eclipse digital mixing console. Eclipse GT offers a new look and an optimized feature set.
photo of Innovason Eclipse GT
Innovason Eclipse GT
Eclipse GT integrates a side rail to facilitate moving and carrying, as well as red LEDs in the sidecheeks (which may be switched off if necessary) and the signature Innovason red trackball. The company says that it selected all of the knobs and faders "to give the desk a significantly more expensive 'feel.'"
The Eclipse GT also has the ability to control and memorize all the parameters used by Neumann/Sennheiser's digital microphones.
The Eclipse GT further retains features found in the original Eclipse console, such as the M.A.R.S. onboard multitrack recorder, Virtual Soundcheck and the Broadway function for seamless changeover from a live to a recorded soundtrack. The M.A.R.S. system also acts as a redundant control computer and can take over all control and display functions. Eclipse GT also retains Innovason’s way of working with the SmartFade and Smart-Panel features for maximum flexibility and configurability without having to resort to the use of layers.

Pensado's Place: #14 - Kanye West, Dirty South Hip Hop, and Engineer/Producer Mike Dean

Toni Braxton Survives On Pay From European Gigs

Singer Toni Braxton Survives On Pay From European Gigs

R&B star Toni Braxton has to rely on lucrative tour dates in Europe to boost her bank balance, because her family's reality TV show is not profitable enough for her to live on.
The Un-break My Heart hitmaker was forced to file for bankruptcy last year (10) amid reports she owed between $10 million and $50 million in unpaid debts after canceling a series of Las Vegas shows due to heart problems.
She recently assured fans her financial woes were not as bad as had been reported and claimed she just had an outstanding tax debt with U.S. authorities amounting to $500,000. But the star, who appears in new U.S. RV series Braxton Family Values - alongside her four sisters and mother - insists she has only managed to stay on top of her money issues by taking on concert deals outside of America, because she and her two young sons can live off the big pay checks for months on end.
She tells Sister 2 Sister magazine, "I still live in a house in Atlanta. And I do one-off dates in Europe - because I'm much bigger in Europe than I am here in the States. I do little spot dates here and there and get paid really good, so I am surviving. The reality show is not how I am really getting paid. Who said reality shows make you rich? That's a misconception."

Singer Jessie J Backs Writing Contest

Singer Jessie J Backs Writing Contest

British singer Jessie J is backing a campaign encouraging children to pursue a career in journalism. The Price Tag hitmaker has teamed up with British newspaper The Sun to launch its Column Idol 2011 competition, which offers aspiring writers the chance to have their own articles published.
She tells the newspaper, "This is a fantastic chance for anyone who likes writing and has an opinion. Young people are always saying that they want to be heard. This is an opportunity for them to step up and do it."
The singer is convinced the contest, in which six finalists will be put through a writing workshop and receive tuition from staff at the paper, will provide invaluable experience to budding journalists.
She adds, "The most valuable part of Column Idol will be the mentoring process. You can learn from someone who is an expert at what they do and use that experience to find your feet. The reason I've always sung my own songs is because I could do covers all day long but writing your own music is more difficult. That's what this competition can do - allow people to become themselves, which a lot of people don't do until a lot later in life."

Kanye West's Charity Foundation Closed




Kanye West's charity foundation has been shut down for unknown reasons. The Stronger hitmaker's organization, which was created by his late mother to combat the high school drop-out rate across America, was in operation for four years. Former executive director, Joseph Collins, alerted his associates by email last month (Mar11). He wrote, “I am reaching out to let you know that the Kanye West Foundation has officially closed it doors after a successful 4+ years of programming and events. “It has been an incredible experience working with Kanye and the board to realize his mother’s vision and I am honored to have been given the opportunity to lead the Foundation." West's mother, Donda, passed away in 2007.



Ahmed Rashid on negotiating with the Taliban


Intrepid Pakistani author and journalist Ahmed Rashid wrote an op-ed in the Financial Times describing the Obama administration's secret decision to ramp up talks with the Afghan Taliban, trying to find a negotiated solution to a decade-long conflict.  In a follow-up phone call, Rashid said that the Obama administration ought to announce these talks publicly and pressure Afghanistan's neighbors to get behind them.
Amar C. Bakshi: What is the shift in U.S. policy toward Afghanistan?
Ahmed Rashid: For a very long time there was a lot of division about whether the U.S.would talk to the Taliban or not. Those divisions have now more or less ended. There is much greater determination to set in motion not just secret talks but everything around it that has to happen.
For example, the Taliban are very keen to open an office somewhere in one of the Gulf countries or maybe Turkey. There is nowU.S.support for that. There would presumably be international support for that also. These are the kinds of steps that are needed to get a political process going.
There is the acknowledgement that an over-dependence on a military strategy is not going to work in the long-term.  Secondly, the economic and international situation is really not in favor of a long-term military strategy.  What is needed now very much is a political strategy. Secretary of State Hillary Clinton herself has said this several times in the past few weeks.
What would a deal with the Taliban look like?
We are a very, very long way away from that. Many questions are being raised. For example, would there be a power-sharing with the present government? How would it take place? How would the constitution accommodate something like that? There are all sorts of social and legal issues about the constitution and Islamic law.
One of the key steps that the Americans have taken is that for the last two years or so, the Obama administration has been talking about preconditions – that the Taliban has to renounce Al Qaeda, accept the constitution and President Karzai. Now what we’re seeing is that talks are going on without any preconditions. These preconditions, or red lines, are something that everyone assumes will be accepted by the Taliban at the end of the talks rather than at the beginning. That is a very positive thing because I don’t think either side could go into their talks with their preconditions.
There are Taliban preconditions that seem to be watered down too because the Taliban were insisting that they wouldn’t talk until the American forces started to leave. But they seem to be willing to put that aside for the time being.
Why is this shift happening now?
The overall international and economic situation is very, very dire. First of all, the majority of European countries want to pull their troops out of Afghanistan as quickly as possible and that includes some of the leading nations like Britain, Germany and Canada.
Economically they can’t do it. They’re cutting their defense budgets. They are in recession.
And secondly the huge expenditure by the Americans themselves: Something like $108 billion is going to be spent on Afghanistan this year on the war effort. This is clearly not sustainable with all the economic crises that President Obama is facing right now.
What can the U.S. do to help make India and Pakistan see eye-to-eye on Afghanistan?
That is obviously a very crucial part of it. The big tussles going on over Afghanistan right now is between India and Pakistan in a battle for influence there.  I think the U.S. needs to play a more upfront role – privately at least – to bring the two countries together if not on the other issues that divide them like Kashmir and larger issues, then certainly on Afghanistan. I think that’s very doable.
The more we get into this endgame and negotiations - the more the world realizes that the Americans are talking to the Taliban - I think it becomes very imperative for both the governments in India and Pakistan to accept the fact that they will have to work with each other if they want to be part of the ultimate equation.
Does Pakistan want to see stability in Afghanistan?
Pakistanis very keen to see stability in Afghanistan. An end to the war in Afghanistan could have a very dramatic effect on containing terrorism inside Pakistan too and containing the Pakistani Taliban. So I think Pakistanis very keen to see stability.
The question at the moment is: If the U.S. is going to take the lead – or the United Nations or whoever we are going to see in the months ahead take the lead on this – they have to bring together all the neighboring countries, of which Pakistan is probably by far the most important, but all of the neighboring countries have to agree to some king of on non-interference in Afghanistan.
Tensions between Iran and Saudi Arabia are being exacerbated by upheavals throughout the Middle East.  How might Saudi Arabia and Iran see eye-to-eye in Afghanistan?
For the last 30 years, Saudi Arabia and Iran have been rivals in Afghanistan. For example, the Saudis backed the Taliban regime in the 90s. The Iranians very strongly opposed it.
The point right now is that with the tensions in the Gulf - the Saudis accusing the Iranians of destabilizing Bahrain and Saudi Arabia– they are both searching for allies.
The Saudis have recently been approaching the Afghans and the Pakistanis to ally with them against Iran. That is something that neither country can afford to do – neitherAfghanistannorPakistan. Secondly, you need the compliance of both Saudi Arabia and Iran for any eventual Afghan peace settlement.
So taking sides on this Iran-Saudi dispute in the region is not a good idea. It is not very helpful, especially if you want to bring the two countries into the peace agreement.
So a major diplomatic lift is needed?
Yes, absolutely.  We’re talking about a huge diplomatic effort, which the former U.S. Af-Pak Special Envoy, Richard Holbrooke, had started. It needs a very big push by the United States, NATO and the European countries.
It needs some public diplomacy. Things need to be done and said in public so that people around the world can see that there is movement on this. As well, of course, a great deal of private diplomacy is needed such as dealing with this Iran-Saudi Arabia issue, bringing India and Pakistan together. A mixture of private and public diplomacy is needed.
We might see some of that public diplomacy in July when President Obama marks the withdrawal of some U.S. troops from Afghanistan.
The quicker the United States gets on with this, the better it is going to be.  One of the big steps it should take in the public realm is admitting that the U.S. is having talks with the Taliban and set out a roadmap as to what the President would like to see. The quicker we see the administration doing this, the faster this process will move.