Sunday, March 13, 2011

Brown becomes the "first person to be cured of HIV"


Here’s some news, and it’s groundbreaking! Doctors who treated HIV-positive Timothy Ray Brown with stem cell transplantation, believe that Brown is now cured of HIV.
Of what could be the medical breakthrough of the year, Mr.Brown also stands today, as the first (and the luckiest) man of the 33 million HIV-infected people worldwide, ever to be cured of HIV [AIDS].
Brown underwent a stem cell transplant (with genetically-engineered stem cells) in 2007 as a part of the treatment for leukemia (sort of blood cancer), and today, his doctors make the exciting revelation.

Unlocked Apple iPhone 4 64GB Prototype Model Leaks



While we are hearing that the Apple iPhone 5 won’t make it at least until September 2011, it seems that Apple in the meantime, is working on a 64GB model of the iPhone 4 to keep us all excited.
Some guys went hands-on with the unlocked iPhone 4 (carrier: SmarTone-Vodafone) with an internal memory of 64GB, and running iOS 4.1. They tell that the source had a couple of these prototype devices (apparently leaked from the Foxconn factory in Shenzhen).
The device also has the same "XX" markings that were seen on the first iPhone 4 prototype leaked by Gizmodo, months ago. Clearly, it’s a prototype built in early 2010, even prior to the iPhone 4 launch itself.
So, there you have it folks. The smartphone could arrive with this massive storage option in coming weeks to months (if Apple intents to), and probably preloaded with iOS 4.3 as well. Check ‘em out!

"Girl Walks Into A Bar" Is Hollywood’s First Feature Film For Internet



Yo! Internet rules, Internet is the future of Entertainment, and Hollywood understands it. So here it is, "Girl Walks Into A Bar," Hollywood’s first major motion picture made specifically for distribution on the Internet. And then again, it’s first on YouTube, and it’s free. OK. So, Girl Walks Into A Bar is comedy film written [...]

Lady Gaga’s "Born This Way" fastest selling Single on iTunes in 23 Countries


Lady Gaga’s latest single "Born This Way" has topped 1 million downloads in 23 countries, in just 5 days since release on iTunes, Apple confirmed on Friday. Very catchy lyrics, "Don’t hide yourself in regret, just love yourself and you’re set, I’m on the right track baby, I was born this way" coupled with great [...]


Google Launches Circles Social Network











http://wwwery.com/12710-google-circles.html

AR Rahman - In The Composing Studio

A Must Have - TubeOhm Virtual Analog Synth

Pro Audio Design


Pro Audio Design: The Systems Company

Professional Audio Design offers a unique resource for the recording professional. By combining equipment sales, design and technical services under one roof, our clients enjoy the advantage of having the team bring to life each vision, from the drawing board to opening day. We offer knowledgeable and experienced sales consultants, technicians, designers and client support staff who care about your project's success. We approach each project individually, bringing the right creative people together to deliver a complete solution for the studio. This allows the client a greater level of control and confidence.

Turnkey Studio Projects

We offer a complete solution for anyone building a new facility or upgrading an existing one. Utilizing each area of expertise and our combined experience we help our clients make the right choices. From creating initial drawings to supplying the gear to final installation and commissioning, Pro Audio Design's projects team is the key to turnkey - on time, on budget.

Equipment Sales

Professional Audio Design has gear! We sell over one hundred lines of new equipment, as well as classic used and vintage items. Our product range includes consoles, tape machines, mics, outboard, and more. You can be confident when you buy pre-owned items from Pro Audio Design, because we service and warranty what we sell. We also offer financing, accept trade-ins, and buy quality used gear.

Pre-Owned SSL Consoles

We offer a wide selection of refurbished SSLs, in stock in our showroom. We include comprehensive service by SSL-trained technicians as part of every sale, and every console we sell will carry a warranty after on-site commisioning by our tech staff. Custom upgrades, expansions, and reconfigurations are also available. There is truly no better source for a budget-friendly used SSL, the industry's most in-demand mixing desk.

Design Services

Pro Audio Design is dedicated to being much more than an equipment retailer. That's why we design complete facilities from the ground up, or upgrade existing structures. We create the acoustical architecture, the HVAC, the wiring and interfacing, and even the interior treatments. The world-class studios in the recording industry have always known the importance of a well designed and built room. Our creative team strives to bring world-class results to all our customers.

Custom Monitors

Professional Audio Design specializes in the field of custom studio monitors. We tailor complete systems to the needs of each specific project by combining matched amps, crossovers, drivers and cabinetry. We also offer outstanding pre-configured packages for every application and budget. We work closely with the respected British design firm Munro Associates enabling us to create custom systems which are sonically incomparable, and which can be found in some of the industry's best studios. Whether soffit-mounted, free-standing or nearfield, our products feature the world's highest quality components.

Parts and Cables

Pro Audio Design sells parts, cables, patchbays and more. We specialize in building high quality wiring systems utilizing the best quality materials, with military spec detail. We carry parts too, from hard to find tubes for vintage mics, to SSL console parts. After choosing all the major pieces of hardware, we'll continue to be your source for the wiring which integrates it all together.

Studio Furniture

Make your experience with "The Systems Company" complete by using our journeyman carpenter to create aesthetically pleasing and functional finish-work. We custom craft to-order rack furniture, stands, acoustical wall-treatments, diffuser panels, and more, using the finest selection of hardwoods, metals, and stone.

Technical Services

A serious Pro Audio company cannot fully serve its customers without a staff of qualified technicians. Professional Audio Design's technical department is staffed with some of the best people in the business. Here are a few of the services we offer:

  • Patchbay and wiring systems
  • Custom electronics
  • Custom vintage equipment racks
  • Repair and maintenance
  • Warranty service
  • Refurbishing, upgrades and modifications
  • Installation
  • Commissioning

Pro Audio Design

90 Corporate Park Drive, Suite 1420
Pembroke, MA 02359
ph: 1-800-514-1349 (toll-free) email: info@proaudiodesign.com

Airfield Audio Liminator 2 Compressor Review by Kevin Becka


David Miller’s Toronto, Canada–based Airfield Audio specializes in updates, upgrades and recaps of a wide range of vintage analog gear and consoles from Neve, Drawmer, UREI, Gates and even Dolby 363 SR modules. He also hand-makes the Liminator Series of mono and 2-channel compressors. The Liminator 2 (reviewed here) is a stereo opto attenuator compressor featuring completely variable threshold and output gain; 5-step attack, release and ratio controls (1.5 to 20); and a three-way switch that takes you through bypass (relay), T2 (Sowter Transformer) and T1 (Jensen Transformer) options. Other features include analog meters switchable between input, output and gain reduction; +4/+14dBu meter level switch; and a Link switch.
Popping the top unveils the ample power supply that sports a beefy toroidal transformer and Carnhill output transformers. It also shows that the switches and pots are high-grade and hand-tested within tight tolerances, evidenced by their specs penned in Sharpie on their backs. The circuit board is made with 3-ounce copper, and all connections use silver solder; you can tell this box received a lot of love from start to finish.
LIKE A TANK
Out of the box, you can’t help but notice that the Liminator 2 is built for the long haul. Its military styling, solid build, chicken head knobs and vintage analog meters beg you to start tweaking, which is exactly what I did. I got this box just prior to a voice-over I had to record for Mix’s Mackie Webcast (available at mixonline .com). As I knew this was going out over the Web, I needed all the help I could get to produce a great-sounding track prior to the squeeze that was going to happen once it was married to video and streamed. I used an SE Electronics RNR1 ribbon mic powered by a Mackie Onyx 1640i preamp and patched one channel of the Liminator 2 across the insert. I set the threshold all the way down, set a lazy attack and release, and chose T1 (Jensen), and the results were startling. I was getting more than -10 dB of reduction at the peak, but there was no pumping, little noise and the tone was delicious.
Next I used it on a lead vocal on different sessions with different mics. In one session, preamps were from a C24 Pro Tools controller powering an SE Electronics Voodoo 2 active ribbon mic; in the other, I used the RNR1 powered by an SSL 4000 Series preamp. This particular vocalist is one I often work with. He’s very talented, but his tone is always a challenge in that he offers a lot of midrange that can be grating if the signal chain is too revealing. I like to “color him down” using different dynamic mics and compressors rather than trying to solve the problem with EQ, which is a rabbit hole of phase shift. In both sessions, the Liminator 2 provided just the crush and tonal shaping I needed to tame this track down and sit it nicely in the mix.
I next used the compressor across sax overdubs, high transient drum submixes and my stereo bus mix, all with great results. I tend to like a more hands-off compressor across the entire mix, but I found that the Liminator 2 can go from severely crushed to barely there with the flip of a few switches and fine adjustments. The ability to jump between the Jensen and Sowter makes this box incredibly versatile and subtle in its range. In regards to the transformers, the sound shift is difficult to verbally quantify, but it is palpable and lovely to have as an option.
CLASS ACTOR
The Liminator 2 is at the top of the boutique compressor heap. It offers plenty of personality, flattering most everything it touches and giving the user many ways to add clean color to the signal path. I used it across a range of applications, but my personal favorite is what it does to the human voice. Even at better than -10 dB of reduction at the peak, as long as you are careful to avoid pumping, it sets the vocal up nicely in the mix and minimizes the need for a lot of riding. Tonally, the harder I hit it, the better it sounded, imparting a silky richness that is difficult to produce in the digital realm. I purposely used it across a range of preamps from very good to average and it dressed them all up deftly, making the total output sound better than the sum of its parts. If you’re into “that analog” sound provided by quality Class-A circuitry, the Liminator 2 needs to be on your must-hear list.

Saturday, March 12, 2011

Roger Linn Design / Dave Smith Instruments - Tempest Analog Drum Machine

Dr. Dre 1997 Studio Interview (Part 1/3)

Diddy, Dr.Dre & Jimmy Iovine Speak On Diddy Beats, Diddy Speaks On Dr.Dre's Influence

Marketing: Bob Yallen, CEO of Intermedia Advertising

Pensado's Place #4 - Tony Maserati

iPad 2 is HERE! Big Boss, SXSWGo, and Pioneer Air Jam all get reviewed

Maag Audio Debuts 500-Series Preamp with Air Band EQ



The first product from Maag Audio is the PREQ4 ($995 MSRP), a single-channel microphone preamp with Air Band 2.5 kHz to 40 kHz top-end shelving boost in the popular API 500-Series Lunchbox module format. Maag Audio LLC is no newcomer to pro audio; its founder is Cliff Maag, the former president of R&D for Nightpro and the inventor of the acclaimed NTI EQ3 and the Nightpro PreQ3, and EQ3D Air Band equalizers and mic preamplifiers.
One of the newest members of the VPR Alliance, the PREQ4 offers 65dB adjustable gain, phase reverse capability, a 70Hz highpass filter, +48-volt phantom power and a -20dB pad. The PREQ4 follows the design of its PreQ3 predecessor as much as possible, using high-end components throughout, for an extended frequency response of 10 Hz to 75 kHz (-3dB) and ultra-clean EIN noise performance of -124 dBu, while THD+N is barely measureable at 0.0009 percent. The unit’s unique Air Band control provides shelf peaks set at 2.5/5/10/20/40 kHz with variable Air Gain boost of up to +12 dB, yielding a full, transparent top-end presence while maintaining the microphone’s true natural sound.
The PREQ4 is shipping now and is available from Vintage King Audio.

For more information, or to compare downloadable tracks recorded with/without Air Band processing, visit www.maagaudio.com.

Waves Ships Aphex Vintage Aural Exciter Plug-In


Waves Audio, a leading provider of digital signal processing solutions, in association with Aphex, is now shipping the Waves Aphex Vintage Aural Exciter, its modeled plug-in version of the original Aphex Aural Exciter. The new plug-in is based on one of the two original tube-powered prototype units developed by Aphex during the mid-'70s. The Waves Aphex Vintage Aural Exciter will be available separately ($250 Native, $500 TDM MSRP) and as part of the Waves Mercury bundle.

The original Aural Exciter was highly regarded for its ability to increase and enhance presence, brightness and detail on vocal tracks and masters alike, appearing on albums by Jackson Browne, Linda Ronstadt and James Taylor.
“The original Aphex model 402 is a part of recording history, with a sound that’s uniquely its own,” says Aphex CEO David Wiener. “I can’t think of better hands to entrust emulating that sound to than to the people at Waves. They’ve been wonderful to work with, and we’re looking forward to more projects in the future.”
“We’re pleased to add the Waves Aphex Vintage Aural Exciter to our line of modeled plug-ins based on vintage hardware,” says Mick Olesh, executive VP of Waves sales and marketing. “The original Aphex Aural Exciter made a huge impact on the recording industry, and we’re confident the new plug-in version will be met with the same enthusiasm by our users.”

Songwriters - Anyone can write music now - iPad Garage Band

http://www.apple.com/ipad/from-the-app-store/garageband.html?aosid=p204&siteid=1503186&program_id=2554&cid=OAS-EMEA-AFF&tduid=fc3e31e8fe89f55af3317adf80a4cfe5

ATC SCM25A Compact 3-Way Monitor



The three-way SCM25A($8,500) monitors from ATCfeature ATC’s 3-inch soft-dome midrange, a 1-inch soft-dome HF unit and a custom, 7-inch carbon-paper cone woofer with high-excursion capability. Onboard amplification is via ATC’s Class-A/B MOSFET output stage, delivering 150W to the woofer, 60W to the mid and 25W to the HF driver. All three stages are fed by fourth-order, critically damped, phase-compensation crossover filters. The unit’s ported enclosure measures 10.4x16.9x16 inches, and can be rackmounted for broadcast/remote applications.

Let's Pray For Japan

BRAINWORX BX_XL MASTERING LIMITER


Designed for insertion as a last-stage stereo bus limiter for mixing or mastering, the bx_XL processor from Brainworx is designed to get your mixes as loud as possible without distorted or over-squashed effects. It operates by converting stereo signals into M (mid/sum) and S (side/difference) signals, and splits the M channel into high and low bands for independent processing of each, such as separating the kick drum and limiting it differently from other center-panned instruments. Automated presets; 32 steps of undo/redo; detailed level meters; and multiple solo, auto-solo and link features let users make precise, repeatable adjustments. Direct pricing is approximately $400, and bx_XL supports RTAS, AS, VST and AU on Mac and PC hosts.

ANTARES AUTO-TUNE 7 TDM

Following the release of Auto-Tune 7 Native versions, Auto-Tune 7 TDM ($649) brings the latest incarnation of the world’s largest-selling audio plug-in to Avid’s Pro Tools HD platform V. 7.2 or later. The software includes second generation of Antares’ Evo™ Voice Processing Technology, a new, from-the-ground-up time-manipulation system; new MIDI capabilities in Graphical mode; and more. As a bonus, Auto-Tune 7 TDM also includes a license for all of the Auto-Tune 7 Native versions. Supported formats include Mac OS X (10.5.x and above) and PC (Windows 7, Vista and XP).

ABBEY ROAD PLUG-INS RS124 COMPRESSOR

The RS124 Compressor from Abbey Road Plug-Ins models the famed tube compressors that were introduced in 1960 and in constant use at the studios throughout that decade. The plug-in models three different units (each having its own character), which allows users to make quick A/B/C comparisons and select the one that suits any particular need—or all three can be used and routed to individual L/C/R-panned tracks. Another plus is a SuperFuse mode that provides more aggressive compression. It’s offered in TDM ($580) for Pro Tools 7.x or higher and in Native LE/AU/VST ($335) versions for Mac or PC.

Friday, March 11, 2011

Dr. Luke on Working with Jessie J (VEVO LIFT)

Avid Releases Pro Tools 9.0.2 Upgrade - Kevin Becka

Avid has released the Pro Tools 9.0.2 upgrade that fixes 26 pages of bugs from previous versions. Fixes include annoying problems with Control Surfaces, Plug-ins, File and Disk Management, Video and more (read the full list here). The upgrade requires previous installation of Pro Tools 9 software and a Pro Tools 9 iLok license.


Bryan Lenox talks about CLASP





http://www.endlessanalog.com/home

Focal SM11 L-R Monitor


Overview

The SM11-L / SM11-R (Left channel and Right channel) monitors are equipped with an asymmetrical cabinet design, favouring a fantastic image precision in a stereo or multichannel configuration. The very extended frequency response (34Hz-40kHz at -3dB) guarantees perfect control of the entire audio signal. This feature is essential to the optimization of the mixes dedicated to supports like SACD or any other project where perfection is essential. The 1" pure Beryllium TBU tweeter achieves an unmatchable detail level and delivers great precision, width and depth to the sound image. The 6.5" “W” composite sandwich midrange offers unmatched neutrality and transparency. The tweeter-woofer coupling guarantees a voicing that will immediately reveal the slightest anomalies. The 11" woofer and the passive radiator reproduce the bass register with an incredible degree of control, thanks to the absence of a port. The bottom of the audio spectrum is then totally revealed, without a subwoofer. A total SPL of 118dB allows unprecedented headroom for recording, mixing and mastering in almost any situation, without risk of compression.


call Peter Duncan for used Solid State Logic consoles





http://www.peterduncan.com/jcms/index.php

McDSP announce 60-percent discounts on plug-ins


GRAMMY AWARD-WINNING ENGINEER RICH BREEN USES METRIC HALO ULN-8 INTERFACE ON NEW YELLOWJACKETS RECORDING


PASADENA, CALIFORNIA - MARCH 2011: Rich Breen's quick and early ascension to the upper strata of professional recording a quarter-century ago was not owing to a flashy style or a voguish sound, but rather a well-considered, well-rounded approach to sound recording that was, and continues to be, in equal measures scientific and artistic. He holds a degree in electrical engineering and has studied music, a synergism that has contributed to his roster of clients and recordings that include the Yellowjackets, Charlie Haden, Dianne Reeves, Herbie Hancock, Norah Jones, members of the Rolling Stones, and Ramsey Lewis. Breen has been nominated for the Non-Classical Engineering Grammy, and dozens of his recordings have been nominated or won Grammy Awards in various categories over the years. Last year he won a Latin Grammy for the Ivan Lins/Metropolis Orchestra Recording. In recent years, Breen has become an avid user of the Metric Halo ULN-8 interface, which delivers eight channels of AD/DA conversion, together with eight world-class mic pres, powerful digital processing, and flexible routing.
Breen spends most of his time at his home studio in Southern California, Dogmatic Sound, where the Metric Halo ULN-8 serves as the trusted bridge between the digital world in which he mixes and the analog world that wends its way to his ears. But it's more than that. "The ULN-8 is like a Swiss Army Knife for audio," laughed Breen. "In addition to monitoring sends, the outputs feed analyzers and meters, including Metric Halo's SpectraFoo, which is always up when I mix. But the ULN-8 really shines when I bring it to engagements in studios around town or to record live events." Breen recently brought the ULN-8 to record legendary keyboardist Lyle Mays perform at one of Caltech's prestigious TED Events.
Like many projects before it, Breen recorded the latest Yellowjacket's release (Timelines Spring 2011) at Pasadena's Firehouse Recording Studios. "I already know going into a session what kinds of mics and processors are available at Firehouse," said Breen. "I've tweaked, for example, the drum inputs using the ULN-8's 'Character' settings. So when I go in now, all I have to do is recall that setting and I'm ready to go. The last several recordings I've made at Firehouse have used the ULN-8 on drums, and it's no coincidence that people are going out of their way to say they are some of the best drum sounds they've ever heard!"
Given his background in electrical engineering, Breen has some concrete opinions about what makes the ULN-8 fully professional in every respect. "Like a lot of converters, the ULN-8 sounds great in the predictable, utopian conditions of the recording studio," he said. "But unlike a lot of converters, it sounds great in the most challenging live situations. Everyone focuses on the same specs: jitter, frequency response, and noise. But those don't fully capture the performance of gear in the field. Not only are the ULN-8's converters superb, the support circuitry, including the analog signal paths and the DSP, is top-notch. The performance has always been absolutely bulletproof under fairly rigorous conditions."
Breen's reliance on Metric Halo is not limited to the concrete world of hardware. He also uses Metric Halo SpectraFoo sound analysis software whenever he mixes. "I'm sure I under-use its full capabilities, but the tools that I do use are so well implemented that I wouldn't settle for anything else," he said. "I always have the stereo spectrum, metering, and phase displays up and running. Sometimes I also look at the power balance and bit meters. The bit meters are particularly well done in SpectraFoo, and extremely useful for spotting problems in the digital signal chain. Like other engineers, I rely on my ears, but these visual tools are useful confirmation if something is amiss, and they do a great job of pinpointing the problem. Moreover, there are low-end and high-end problems that are obvious using SpectraFoo but difficult to hear in many monitoring situations."

GarageBand for iPad 2 demo by Apple

DaySequerra introduces its M2DTV Mobile Media Loudness Processor at NAB 2011

West Berlin, NJDaySequerra, exclusive DTS® hardware and audio partner, will introduce a 
mobile media DTV loudness processor at this year’s NAB Show in Las Vegas.  
Mobile handheld device speakers and ear buds have a limited dynamic range over a narrow 
frequency band. This combined with noisy listening environments compromise the quality and 
intelligibility of the audio content streamed to handheld mobile devices. The DaySequerra M2DTV 
Mobile Media loudness processor has been optimized to keep dialog intelligible without users 
constantly adjusting their volume control, even in noisy environments.   
“Poor audio quality, inconsistent volume levels and unintelligible dialog, is a major challenge for 
today’s mobile DTV broadcaster,” said David Day, president of DaySequerra. ”Through our 
partnership with DTS and other experts, we’ve developed solid solutions to enhance the mobile 
audio experience with our M2DTV,” added Day. 
The M2DTV has 5.1 surround, stereo and EAS inputs, and features the industry-proven DTS 
Surround Sound DownMix along with two codec pre-processing channels. Each channel is 
optimized for HE AAC v2 operation at 24 kbps, 32 kbps, 48 kbps and 64 kbps to reduce artifacts 
from lossy compression and low-bit rate transmissions. The M2DTV uses a proprietary perceptual 
loudness model to provide accurate loudness measurements and look-ahead technology to make 
large gain corrections imperceptible to viewers. It is an easy-to-operate 1RU unit complete with 
industry-standard ITU-R BS.1770/1 loudness measurement on a large vacuum-fluorescent 
numerical readouts and bright accurate bargraph metering, a rear panel GPIO port and Ethernet 
interface for long-term logging, email alerts and field software updates. 
The M2DTV will make its official debut at NAB 2011 in booth N3830. For more information on 
DaySequerra products, please visit www.daysequerra.com. 

About DaySequerra: DaySequerra provides high-performance audio solutions for radio, TV and 
Internet broadcasters. Technology applications include measuring and solving loudness issues in 
stereo and surround DTV and radio broadcasts using exclusive DTS Neural algorithms; 
transmitting multichannel surround audio over stereo infrastructure; and DTV, HD RadioTM, DAB 
and other digital radio and Internet stream audio processing and monitoring. DaySequerra’s state- 
of-the-art products are marketed and sold through their distribution network worldwide; its 
technology partners include DTS, iBiquity Digital and others. For more information on 
DaySequerra, please visit our website www.daysequerra.com or email info@daysequerra.com. 

Universal Audio UAD-2 Satellite Quad

Panasonic AF-100 - DSLR 12 hours of non-stop record time

Pensado's Place: Maureen Droney

Pensado's Place: #2 - Jean-Marie Horvat

Virtual Console Collection @Slateproaudio


Its been called one of the most anticipated plugins of the decade. The Virtual Console Collection or "VCC" as it's been known, captures the sound of some of the most legendary analog consoles in the industry. Using the VCC, your digital mixer will take on the life and vibe of these great desks and will give your music the depth, dimension, space, and 3D image that you have been craving!


Virtual Console Collection (ESD) iLok2 Included 7 DAY SPECIAL

* iLok2 WILL BE SHIPPED TO SHIPPING ADDRESS GIVEN (Please allow 2 - 10 business days) 

* PLEASE FILL OUT SHIPPING ADDRESS FIELD WHEN ORDERING IF DIFFERENT FROM BILLING ADDRESS 

* VCC is ELECTRONIC SALES DELIVERY ONLY 

* Available in Mac Intel RTAS, AU, VST (32 bit), Windows VST (32bit) 

- Mac/Windows 64bit (coming soon) 

- PPC - PPC version in the future for iLok 1 (ETA 30 Days) 

* MAC : 
CPU Processor min : Intel Core Duo 1.83 GHz 
OS X min : 10.5 
32 bit version only 

* PC : 
CPU Processor min : Intel Core Duo 1.83 GHz 
OS min : Windows XP SP3 
32 bit version only 

Uninstallers for mac & pc versions 

* ILOK2 DONGLE REQUIRED AND INCLUDED

http://www.slatedigital.com/shop/home.php?cat=249

Our price: $249.99 (€179.99)

Genelec Previews New DSP Model at Prolight+sound 2011

A new addition to Genelec’s award-winning DSP rangeof monitors is set to be unveiled at Prolight+sound 2011 in Frankfurt. The latest model to benefit from this future-proof technology is the 1238CF, which is a 3-way monitor designed for a wide range of professional applications demanding excellence in audio monitoring. The model will be available for preview and demonstration on Booth 8.0 H25 alongside a range of upgrades and improvements to other key monitors in the Genelec portfolio for the professional market.

Terho Savolainen, Marketing Manager of Genelec comments: “We’re delighted to be bringing the 1238CFto the show as Prolight+sound is the ideal launch platform for the product. The new model builds on the previous strengths of our compact three-way analogue monitors and by adding DSP, digital signal processing, with the Genelec’s AutoCal calibration functionality give the product the widest possible appeal. Visitors to our booth will be able to appreciate the improvements and discuss real applications with us.”

The 1238CF is also compatible with proprietary Genelec Loudspeaker Manager™ (GLM™) control software and can be combined with Genelec 8200/7200 Series products in the same control network. The automatic control and calibration functionality provided by the GLM™software with the Genelec AutoCal™ algorithm allow for precise matching of the loudspeaker system to different acoustic conditions with just a few mouse clicks. The rugged amplifier unit is mounted into the enclosure with vibration isolators which also act as quick release hinges making maintenance operations very easy and straightforward. Furthermore, the loudspeaker cabinet is constructed of painted MDF, which is heavily braced to eliminate structural resonances.

The Directivity Control Waveguide™ (DCW™) Technology developed by Genelec provides excellent stereo imaging and frequency balance even in difficult acoustic environments. TheDCW™ of the 1238CF is identical to the one in the famous 1038B 3-way monitor providing the same excellent imaging in this new addition to the DSP 3-way monitoring systems range. It is designed to perform well both as a free-standing monitor and flush mounted into the control room wall. When flush mounting the loudspeaker, the space behind the loudspeaker enclosure must be sufficiently ventilated in order to dissipate heat generated by the amplifier unit located at the back panel of the loudspeaker.

For further information on Genelec products for professional applications, please visit Booth Booth 8.0 H25 at Prolight+sound 2011. www.genelec.com

Tape Op Party 2011 During SXSW - March 18, 2011

http://www.tapeop.com/updates/events/2011/02/tape-op-party-2011-during-sxsw/

Empirical Labs Lil Freq


@Notch_theArtis @SupaDups @xxblassxx @SweetwaterSound @amazon @iTunesMusic
I used the Lil Freq on Notch @Notch_theArtist album "Raised By The People" produced by SupaDups @SupaDups and Dj Blass @xxblassxx . The Empirical Labs_Lil Freq is not your average equalizer. You will be hard pressed to find a single rack eq that gives you more processing punch. It has a High Pass (HP) filter, 4 parametric bands and 2 additional bands of shelving eq (Low and High). In addition it has a dynamic eq section for controlling high frequencies (de-essing), which can be placed before or after the eq section and an instrument (D.I.) input. There are 3 outputs, one of them a Class A transformer out which gives the sound quality and texture you would expect from vintage gear. It has THD (Total Harmonic Distortion) of less than 0.006% which makes it one of the cleanest eqs on the market today. The Lil Freq sounded great on everything I ran through it including vocals, drums, guitar and bass. You can really sculpt and carve sounds to your heart's content. The dynamic eq section made it easy to add sheen to vocals or cymbals/overheads without frying my ears or the tweeters. The low shelf eq used in combination with the HP filter gives you a great bass sound without overloading the low end. You can even emulate a Neve 1073 by following the small "n" and "donut" markings on the parametric sections. I recommend all first time users to take a quick look at the manual to fully understand the Lil Freq's capabilities. For more info on the Lil Freq visit Empirical Labs at http://www.empiricallabs.com/ and take a look at the other gear they offer. The Lil Freq can be purchased for $1699 at Sweetwater Sound http://www.sweetwater.com/store/detail/LilFrEQ/ or at Amazon @amazon http://www.amazon.com/Empirical-Labs-EL-Q-Professional-Equalizer/dp/B0017N4LAY Here's the iTunes @iTunesMusic link for Notch  "Raised By The People" album

Tony Maserati - Mixing drums, bass, vocals, guitars

Supa Engineer Duro