Tuesday, March 15, 2011

A Marriage of Analog and Digital: the Moog Synthesizer Meets the iPad


From NAMM this year comes news of one of the coolest synthesizers money can’t buy. The OMG-1 is a one-of-a kind, custom endeavor designed by Eric Persing of Spectrasonics, the grand prize for an upcoming fundraising effort benefiting the Bob Moog Foundation.
The OMG-1 contains a Moog Little Phatty analog synthesizer, Spectrasonics Omnisphere software synth, anApple Mac Mini, two iPads, two iPod touches, and the Omni TR iPad app. Installed in a beautiful
handcrafted curly maple cabinet, the OMG-1 is designed as a highly versatile live performance instrument.

Says Persing:
I’ll never forget the first time I played a Minimoog when I was a little kid…it truly changed my life! So, it’s a privilege after all these years to give back to the foundation honoring my hero Bob Moog and keeping the spirit and history of his inventions alive for the next generation. I had a blast designing the OMG-1 with Dan and I can’t wait to see who wins it!
Truly a convergence of analog and digital technologies, integrating the worlds of analog synthesis, computers, software synthesis and multi-touch surfaces. The fundraiser is in mid-March and details are forthcoming.

Twitter: 1 billion 'tweets' are sent every week by Juan Carlos Perez

Twitter is celebrating its fifth birthday this month, so the company has released a fresh set of stats about its growth and usage, such as the fact that it took more than 3 years for users to send the first 1 billion “tweets,” a feat now accomplished every week.
Over the past year, the average number of Twitter messages sent per day has increased from 50 million in March 2010 to 140 million this month, the company said in a blog post.
Currently, an average of 460,000 Twitter accounts are created every day, while the number of Twitter mobile users has spiked 182 percent year-on-year.
Despite that growth, Twitter seems to have a lot of room for expanding its user base. In December, The Pew Internet & American Life Project reported that 8 percent of U.S. residents use Twitter.
As Twitter turns 5 years old, it finds itself increasingly at odds with some of the external developers who have built complementary applications for the microblogging service.
Over the past 12 to 15 months, Twitter has been adding native functionality to the service that in many cases replicates and competes against applications built by these developers, leading to tension and complaints from them.
Most recently, this weekend the company stated that it doesn’t want developers creating client applications that replicate Twitter.com’s basic user functionality.
Twitter also cautioned that developers of existing client applications will be held to stricter enforcement of terms and conditions.
Twitter said it needs to do this to make the overall user experience more uniform and of higher quality, but some affected developers are crying foul, saying Twitter doesn’t want people using alternative client applications so as not to dilute Twitter.com’s traffic and fledgling ad business.

Steve Jobs Is The Biological Brother Of Homer Simpson’s Mother [Fun Facts]

Here’s a weird fun fact for you on a slow news Tuesday: there’s a very real familial link between Apple CEO Steve Jobs and TV’s Homer Simpson. Here’s how.

As some of you may know, Steve Jobs was put up for adoption as an infant. What you may not know is that Steve Jobs’ birth parents are Joanne Carole Schieble and Abdulfattah Jandali, who put him up for adoption because they weren’t married at the time.
Later, when they married, they had another child: Mona Jandali. However, Jandali abandoned both Mona and her mother when Mona was five. Joanne eventually remarried, at which point Mona decided to take her stepfather’s name and became Mona Simpson.
In the 80s, Mona’s career as a novelist flourished, and she published several successful novels. During this time, she also married television writer and producer Richard Appel, who worked on The Simpsons and appropriated his wife’s name for that of Homer Simpson’s biological mother in the episode “Mother Simpson”.
To summarize: Steve Jobs is the biological brother of the real-life inspiration for Homer Simpson’s mother. Or, put a more fanciful way, Apple’s CEO is Homer Simpson’s spiritual uncle.
The more you know, eh?

iTunes No. 3 Provider of U.S. Digital Video Subscriptions

When it comes to attracting consumers to video subscription services, convenience wins out over other factors. That’s the message behind new research finding Netflix gets 60 percent of the U.S. digital subscription market, leaving Apple’s iTunes No. 3, with just 4 percent. Cable giant Comcast placed second, according to a NPD Group report on domestic digital video demand between January and February 2011.

The iTunes service tied with satellite provider DirecTV and entertainment behemoth Time Warner. Although the Apple service began in 2006, iTunes began renting movies in 2008 and 99-cent TV episodes in 2010. Despite consumers knowing iTunes had a more up-to-date inventory for rent, Netflix was given the nod due to the “overall shopping experience” and “value for price paid,” NPD announced Tuesday.

TC M-5000



@Kevinlyttle @AtlanticRecords @tcelectronic @iTunesMusic

I used the M5000 when mixing Kevin Lyttle’ s @Kevinlyttle album “ KEVIN LYTTLE” for Atlantic Records @AtlanticRecords . The TC M5000 (approx. $2k used) is a reverb and multi-fx unit based on a modular (mainframe) concept. this allows the end user to configure it as needed with room for
expansion. It has since been replaced by the System 6000 which carries on the legacy of the M5000.
The M5000 is very solidly built and provides great reverbs, delays, chorusing and phasing. Consider yourself lucky if you are able to find one with the ADA-2 24bit/96k I/O cards and MD2 mastering/dynamics software option. The unit is fairly easy to use but comes with an extensive manual which I recommend skimming the first time using the unit, especially the quick start section for proper
connection and gain staging to your other gear.

Here’ s a link to the M5000 manuals on TC Electronics @tcelectronic website http://www.tcelectronic.com/m5000manuals.asp The M5000 can hold up to four DSP engines in the module slots that are accessed from the rear of the unit which allows you to have up to four world class reverbs/multifx boxes in one unit all easily accessed from the remote control (called an ATAC). To take it a step further you can control up to . The unit has digital and analog I/O which is determined by
the number of installed DSPs. Up to four Digital I/Os are possible with a fully expanded M5000. This makes it a great addition to any DAW/Digital studio. It also has MIDI I/O and even a SMPTE input which allows for automated program or parameter changes. To select a program press the switch labeled program and scroll with the knob labeled program then to make your selection active press the switch labeled DO. To edit a patch press EDIT and turn the knobs labeled A, B and C to adjust the parameters of the program. To switch between your adjusted setting and the default settings press the switch labeled UNDO. TC Electronic’ s reputation for transparent and high quality reverbs and effects really stands out in the M5000 and I’ m happy to know it has been carried over to the System 6000. For more info on TC Electronic’ s current hardware and software lineup visit http://www.tcelectronic.com/

Here’ s a link to Kevin’ s album on iTunes @iTunesMusic http://

itunes.apple.com/us/album/kevin-lyttle-bonus-tracks/id19045409

Scarbee Funk Guitarist DVD $119

With incredible sound and smart integrated sequencing, SCARBEE FUNK GUITARIST is a detailed, playable instrument with the true flavor of funk.

This product runs in the freeKONTAKT 4 PLAYER (4.2) and inKONTAKT 4.2. And for amp modeling and stomp box effects, check out the free GUITAR RIG 4 PLAYER.

The New iLok is Here !!!

www.ilok.com

LOOPMASH APP AVAILABLE for iPhone and iPod Touch

Steinberg today releases LoopMash, a mind-blowing music app for creatively mixing and rearranging beats, tunes and effects. Now available for your iPhone and iPod touch, this inspiring mobile instrument lets you choose from over 40 presets and 250 addictive loops ranging all the way from ethno to disco. 

With its innovative approach to mixing music, LoopMash simultaneously merges up to four two-bar loops by matching and replacing comparable elements. By using the included studio-grade effects, you can easily spice up your performance and make your music sound even gnarlier.

Quality content, intuitive control and 3-D navigation for effortless page browsing make this app a must-have for party-goers, music aficionados and pretty much everyone in between.



http://www.steinberg.net/en/products/apps_sounds_accessories/loopmash.html

Commencement address by Steve Jobs June 12, 2005


I am honored to be with you today at your commencement from one of the finest universities in the world. I never graduated from college. Truth be told, this is the closest I've ever gotten to a college graduation. Today I want to tell you three stories from my life. That's it. No big deal. Just three stories.
The first story is about connecting the dots.
I dropped out of Reed College after the first 6 months, but then stayed around as a drop-in for another 18 months or so before I really quit. So why did I drop out?
It started before I was born. My biological mother was a young, unwed college graduate student, and she decided to put me up for adoption. She felt very strongly that I should be adopted by college graduates, so everything was all set for me to be adopted at birth by a lawyer and his wife. Except that when I popped out they decided at the last minute that they really wanted a girl. So my parents, who were on a waiting list, got a call in the middle of the night asking: "We have an unexpected baby boy; do you want him?" They said: "Of course." My biological mother later found out that my mother had never graduated from college and that my father had never graduated from high school. She refused to sign the final adoption papers. She only relented a few months later when my parents promised that I would someday go to college.
And 17 years later I did go to college. But I naively chose a college that was almost as expensive as Stanford, and all of my working-class parents' savings were being spent on my college tuition. After six months, I couldn't see the value in it. I had no idea what I wanted to do with my life and no idea how college was going to help me figure it out. And here I was spending all of the money my parents had saved their entire life. So I decided to drop out and trust that it would all work out OK. It was pretty scary at the time, but looking back it was one of the best decisions I ever made. The minute I dropped out I could stop taking the required classes that didn't interest me, and begin dropping in on the ones that looked interesting.
It wasn't all romantic. I didn't have a dorm room, so I slept on the floor in friends' rooms, I returned coke bottles for the 5¢ deposits to buy food with, and I would walk the 7 miles across town every Sunday night to get one good meal a week at the Hare Krishna temple. I loved it. And much of what I stumbled into by following my curiosity and intuition turned out to be priceless later on. Let me give you one example:
Reed College at that time offered perhaps the best calligraphy instruction in the country. Throughout the campus every poster, every label on every drawer, was beautifully hand calligraphed. Because I had dropped out and didn't have to take the normal classes, I decided to take a calligraphy class to learn how to do this. I learned about serif and san serif typefaces, about varying the amount of space between different letter combinations, about what makes great typography great. It was beautiful, historical, artistically subtle in a way that science can't capture, and I found it fascinating.
None of this had even a hope of any practical application in my life. But ten years later, when we were designing the first Macintosh computer, it all came back to me. And we designed it all into the Mac. It was the first computer with beautiful typography. If I had never dropped in on that single course in college, the Mac would have never had multiple typefaces or proportionally spaced fonts. And since Windows just copied the Mac, it's likely that no personal computer would have them. If I had never dropped out, I would have never dropped in on this calligraphy class, and personal computers might not have the wonderful typography that they do. Of course it was impossible to connect the dots looking forward when I was in college. But it was very, very clear looking backwards ten years later.
Again, you can't connect the dots looking forward; you can only connect them looking backwards. So you have to trust that the dots will somehow connect in your future. You have to trust in something — your gut, destiny, life, karma, whatever. This approach has never let me down, and it has made all the difference in my life.
My second story is about love and loss.
I was lucky — I found what I loved to do early in life. Woz and I started Apple in my parents garage when I was 20. We worked hard, and in 10 years Apple had grown from just the two of us in a garage into a $2 billion company with over 4000 employees. We had just released our finest creation — the Macintosh — a year earlier, and I had just turned 30. And then I got fired. How can you get fired from a company you started? Well, as Apple grew we hired someone who I thought was very talented to run the company with me, and for the first year or so things went well. But then our visions of the future began to diverge and eventually we had a falling out. When we did, our Board of Directors sided with him. So at 30 I was out. And very publicly out. What had been the focus of my entire adult life was gone, and it was devastating.
I really didn't know what to do for a few months. I felt that I had let the previous generation of entrepreneurs down - that I had dropped the baton as it was being passed to me. I met with David Packard and Bob Noyce and tried to apologize for screwing up so badly. I was a very public failure, and I even thought about running away from the valley. But something slowly began to dawn on me — I still loved what I did. The turn of events at Apple had not changed that one bit. I had been rejected, but I was still in love. And so I decided to start over.
I didn't see it then, but it turned out that getting fired from Apple was the best thing that could have ever happened to me. The heaviness of being successful was replaced by the lightness of being a beginner again, less sure about everything. It freed me to enter one of the most creative periods of my life.
During the next five years, I started a company named NeXT, another company named Pixar, and fell in love with an amazing woman who would become my wife. Pixar went on to create the worlds first computer animated feature film, Toy Story, and is now the most successful animation studio in the world. In a remarkable turn of events, Apple bought NeXT, I returned to Apple, and the technology we developed at NeXT is at the heart of Apple's current renaissance. And Laurene and I have a wonderful family together.
I'm pretty sure none of this would have happened if I hadn't been fired from Apple. It was awful tasting medicine, but I guess the patient needed it. Sometimes life hits you in the head with a brick. Don't lose faith. I'm convinced that the only thing that kept me going was that I loved what I did. You've got to find what you love. And that is as true for your work as it is for your lovers. Your work is going to fill a large part of your life, and the only way to be truly satisfied is to do what you believe is great work. And the only way to do great work is to love what you do. If you haven't found it yet, keep looking. Don't settle. As with all matters of the heart, you'll know when you find it. And, like any great relationship, it just gets better and better as the years roll on. So keep looking until you find it. Don't settle.
My third story is about death.
When I was 17, I read a quote that went something like: "If you live each day as if it was your last, someday you'll most certainly be right." It made an impression on me, and since then, for the past 33 years, I have looked in the mirror every morning and asked myself: "If today were the last day of my life, would I want to do what I am about to do today?" And whenever the answer has been "No" for too many days in a row, I know I need to change something.
Remembering that I'll be dead soon is the most important tool I've ever encountered to help me make the big choices in life. Because almost everything — all external expectations, all pride, all fear of embarrassment or failure - these things just fall away in the face of death, leaving only what is truly important. Remembering that you are going to die is the best way I know to avoid the trap of thinking you have something to lose. You are already naked. There is no reason not to follow your heart.
About a year ago I was diagnosed with cancer. I had a scan at 7:30 in the morning, and it clearly showed a tumor on my pancreas. I didn't even know what a pancreas was. The doctors told me this was almost certainly a type of cancer that is incurable, and that I should expect to live no longer than three to six months. My doctor advised me to go home and get my affairs in order, which is doctor's code for prepare to die. It means to try to tell your kids everything you thought you'd have the next 10 years to tell them in just a few months. It means to make sure everything is buttoned up so that it will be as easy as possible for your family. It means to say your goodbyes.
I lived with that diagnosis all day. Later that evening I had a biopsy, where they stuck an endoscope down my throat, through my stomach and into my intestines, put a needle into my pancreas and got a few cells from the tumor. I was sedated, but my wife, who was there, told me that when they viewed the cells under a microscope the doctors started crying because it turned out to be a very rare form of pancreatic cancer that is curable with surgery. I had the surgery and I'm fine now.
This was the closest I've been to facing death, and I hope it's the closest I get for a few more decades. Having lived through it, I can now say this to you with a bit more certainty than when death was a useful but purely intellectual concept:
No one wants to die. Even people who want to go to heaven don't want to die to get there. And yet death is the destination we all share. No one has ever escaped it. And that is as it should be, because Death is very likely the single best invention of Life. It is Life's change agent. It clears out the old to make way for the new. Right now the new is you, but someday not too long from now, you will gradually become the old and be cleared away. Sorry to be so dramatic, but it is quite true.
Your time is limited, so don't waste it living someone else's life. Don't be trapped by dogma — which is living with the results of other people's thinking. Don't let the noise of others' opinions drown out your own inner voice. And most important, have the courage to follow your heart and intuition. They somehow already know what you truly want to become. Everything else is secondary.
When I was young, there was an amazing publication called The Whole Earth Catalog, which was one of the bibles of my generation. It was created by a fellow named Stewart Brand not far from here in Menlo Park, and he brought it to life with his poetic touch. This was in the late 1960's, before personal computers and desktop publishing, so it was all made with typewriters, scissors, and polaroid cameras. It was sort of like Google in paperback form, 35 years before Google came along: it was idealistic, and overflowing with neat tools and great notions.
Stewart and his team put out several issues of The Whole Earth Catalog, and then when it had run its course, they put out a final issue. It was the mid-1970s, and I was your age. On the back cover of their final issue was a photograph of an early morning country road, the kind you might find yourself hitchhiking on if you were so adventurous. Beneath it were the words: "Stay Hungry. Stay Foolish." It was their farewell message as they signed off. Stay Hungry. Stay Foolish. And I have always wished that for myself. And now, as you graduate to begin anew, I wish that for you.
Stay Hungry. Stay Foolish.
Thank you all very much.

Analyst: 52M Tablets in 2011 – 75 Percent Apple’s

Desktops? Laptops? The conversation has shifted to tablets, and Apple appears to be at the center of this whirlwind. Yet another research firm is forecasting the global growth of “tab computers.” Canalys expects to see 52 million of the devices shipped this year – and Apple’s iPad will account for 75 percent of the sales.
The numbers mirror an earlier Goldman Sachs forecast for 54.7 million tablets, 37.2 million from Apple. Analysts at JPMorgan had a more dire warning: there could be a tablet ‘bubble’ as rivals push production, yet see limited sales.

“Based on our research inputs, tablet makers eager to emulate Apple’s meteoric start are trying to secure components with inflated build plans,” JPMorgan’s Mark Moskowitz wrote last week. Indeed, although 55.1 million tablets are expected this year to be produced, only 47.9 million of the units will sell, he said.
As reports of some retailers selling out of their initial stock of iPad 2s in just a matter of minutes and shipment wait times extending beyond a month, the Cupertino, Calif. company is said to be restocking shelves and some stores could open early Wednesday to handle demand for the next-generation tablet.

Want Better iPhone Reception? Ask For A Glass

OK, this is a little WTF, and I haven’t yet been able to verify it myself (because reception’s pretty good where I live), but: Boris Veldhuijzen van Zante over the The Next Web says he’s discovered a trick to improve iPhone 4 reception: stick it in a glass.
To whit:
“A few years ago one of the waitresses there discovered (how?) that if you put a phone in an empty glass it dramatically improves the reception. The Pasta e Basta restaurant is basically stuck in a concrete basement so reception has always been awful. But since they found out about this trick they at least have had enough reception to make and receive calls.”
So readers, can this be true? Please avail yourselves of poor reception and glassware immediately: let’s put this to the test.
Coming soon: iPads in buckets and MacBook Airs in cut crystal vases. Possibly.

iPad 2 Shipping Estimates Slip Again To Over A Month

Ouch. If you haven’t ordered an iPad 2 yet, I hope you’re willing to wait over a month to get one, as iPad 2 shipping estimates have slipped again, this time to four or five weeks for most models.
iPad 2 shipping estimates have been slipping since mere hours after it went on sale online in the wee hours of Friday. Originally put up for sale online at 1AM PT with a 3-5 business day shipping estimate, that slipped in mere hours to 5-7 days, then to two weeks and now to over a month.
If you haven’t ordered your iPad 2 online yet, your best bet might be to drop by your local Apple Store on the way to work today. Rumor indicates that Apple Stores will open at 9am today to service iPad 2 sales on a fresh shipment, and I can confirm that, at least at the Apple Store I’m currently parked at, Apple employees are already bustling around inside.

Sorry, Bon Jovi, Steve Jobs Didn’t Found Napster


As we noted earlier, the weekend’s silliest headline came courtesy of hair product Jon Bon Jovi, who ranted to the Sunday Times of London that “Steve Jobs is personally responsible for killing the music business.”
This statement is astoundingly ignorant. The iTunes Music Store is easily the most popular record store in the history of the world, having sold more than 10 billion songs in its eight years of existence. One can decry the very notion of digital distribution. It’s impossible to argue with business that big.
Moreover, when iTMS hit the scene in April 2003, it was a godsend to record labels. After all, Apple didn’t invent digital distribution of music. They invented legitimate digital distribution. Napster had hit the scene a full four years previous, making it possible for college students across the country (myself included, briefly) to readily share reasonably high-quality music files with one another over the Internet in simple fashion. As soon as Shawn Fanning flipped the switch in 1999, the music business needed to change itself or disappear.
For years, it chose to disappear, waging costly legal battles with Napster and its near-relatives Audiogalaxy, MP3.com, Gnutella, Kazaa, Morpheus, and LimeWire. Hilariously, the Recording Industry Association of America’s belief that they could sue file sharing out of existence did little but spur its growth and, more critically, its innovation. BitTorrent, the radically distributed and difficult-to-trace open file sharing protocol, hit in 2001, arguably a few years before it would have arrived had the record companies reached a deal to distribute music legally through Napster. Also,  Metallica.
It was into this mix that Steve Jobs arrived. And with him, the record industry finally changed. A little. They finally signed on with a legitimate way to purchase music over the Internet, for just 99 cents a song. And it was revolutionary, driving unprecedented volumes and moving a lot of iPods in the process. But, like Bon Jovi, the record industry has a short memory, and immediately began demanding to sell songs for more money on iTunes, as well as demanding a higher percentage of revenue from each tune, even though, at 70:30, they were already doing better than a typical margin at a record store.
Anyway, they got what they wanted again, but still they rant and whine about devaluing music or killing the romance of the art form. Generally, they resent that the vast iTunes library has allowed indie bands to get more attention than they ever were when major labels controlled distribution. And those indie labels are doing great now (see what Merge Records has accomplished with Arcade Fire and Spoon), as are some of the independent record stores that thrive off of their albums.
Honestly, at the end of the day, the Web’s arrival in the early 1990s was a sign that all media would eventually be delivered differently than it previously had. It was obvious that early. But the entrenched media covered their eyes and their ears and hoped things could remain the same. And now that an inevitable reality of digital music, video, books, and periodicals have arrived, everyone wants to get mad at the one company that’s actually helped figure out how to make record labels some money in the last decade. Whether they like it or not.
In short, JonBon: “This Left Feels Right” killed music. Steve Jobs is the one who helped you profit from that murder.