Monday, November 26, 2012

Cyber Monday Deals

Today is Cyber Monday, the online equivalent to Black Friday. There are plenty of sales and deals available for the tech/gear/musically inclined.

Here are links to a few of them:

Cyber Monday Sale: 50% Off Annual Plans
You'll also lock in this great price for as long as you're part of the Gobbler family.

Half off for life!

Head over to our Plans Page to grab this deal before it ends on Dec 2nd! 

Happy Holidays,
The Gobbler Team

You can sign up for a free 5gb account to test drive Gobbler here.



Holiday campaign - Save on Top Sellers!
December 2012
Holiday campaign! Hurray! From today, throughout Black Friday, Cyber-Mondays, and just ol' plain boring Wednesdays, until January 10, here's the Softube Holiday campaign with up to $100 discount on our most popular products. Here's the details:
TSAR-1 reverb
Mix Bundle (Including FET Compressor, Passive Equalizer, Active Equalizer, Focusing Equalizer and TSAR-1R reverb)
Summit Audio Grand Channel
Tube-Tech Classic Channel
The reduced prices are available through Softube dealers as well as the Softube web store.




Cyber Monday. Save up to 80% off




Presonus Black Friday Deals for U.S. Customers


Native Instruments 50% off ends today

A THREE COURSE DEAL
Fill up this Thanksgiving with three incredible offers. Whether you’re into TRAKTOR, KOMPLETE or MASCHINE, there is a special half-price deal just for you. But deals this good don’t last long. If you’ve been waiting to build or expand your setup, the next five days is the time to do it – this Thanksgiving special ends Monday, November 26.
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SEE ALL OFFERS
50% OFF KOMPLETE INSTRUMENTS AND EFFECTS
50% OFF KOMPLETE INSTRUMENTS AND EFFECTS
As part of our Thanksgiving special, single KOMPLETE Instruments and Effects and select bundles are on sale for 50% off. Expand your production suite at half the price with over 50 KOMPLETE Instruments and Effects – on sale for the next five days only.
See KOMPLETE offers
50% OFF TRAKTOR PRO 2 – ONLY $44.50 / 39,50 €
50% OFF TRAKTOR PRO 2 – ONLY $44.50 / 39,50 €
For the next five days, get our flagship TRAKTOR PRO 2 software featuring four decks and a stunning range of creative features – maximum freedom for an unbeatable $44.50 / 39,50 €.
See TRAKTOR offer
50% OFF ALL MASCHINE EXPANSIONS PLUS A SPECIAL iMASCHINE OFFER
See MASCHINE Expansions
Add extra fuel to your MASCHINE or MASCHINE MIKRO with MASCHINE Expansions – sonically-specialized packages created by renowned sound designers and artists – all for 50% of their regular price. The ideal groove sketchpad for iPhone / iPod touch and iPad is also on offer: iMASCHINE is only $0.99 / 0,89 € for the next five days only.
See MASCHINE Expansions
About iMASCHINE
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This special offer is valid from 11:00 (CET) on November 22, 2012 to 24:00 (CET) on November 26, 2012. The special offer is only valid on full software versions of products – upgrades are not a part of the special. The special offer is not valid on iMASCHINE Expansions, accessories, bags, or NI Wear, KOMPLETE AUDIO 6, GUITAR RIG 5 KONTROL, RIG KONTROL, MASCHINE, MASCHINE MIKRO, KOMPLETE 8, KOMPLETE 8 ULTIMATE, KOMPLETE ELEMENTS, SESSION HORNS, ACTION STRINGS. Not valid on TRAKTOR products except for TRAKTOR PRO 2. iMASCHINE is available from the Apple App Store. All other offers apply to the NI Online Shop only. Note that according to our terms and conditions, e-vouchers cannot be used in conjunction with special offers. Apple, iPad, iPhone, iPod touch, and iTunes are trademarks of Apple Inc., registered in the U.S. and other countries. App Store is a service mark of Apple Inc. iPhone is not included with iMASCHINE. Boxed products only while stocks last.
 

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Registergericht: Amtsgericht Charlottenburg | HRB 72458 | UST.-ID.-Nr. DE 20374 7747
Management Board: Daniel Haver / Mate Galic
Phone number: +49 (0)30/61 10 35-1600 Fax: +49 (0)30/61 10 35-2600
Contact NI



Sweetwater Sound 8 Days of Black Friday Sale


VintageKing's 10 Day Black Friday Sale


Tuesday, November 20, 2012

The SSL Nucleus – Was it worth the price?




Today's post includes a review from my good friend and fellow engineer/producer Giandre Diaz who recently purchased an SSL Nucleus for his studio based in Trinidad. The Nucleus is a DAW Controller equipped with 2 preamps identical to the ones used in their flagship Duality console.

"The SSL Nucleus is a compact, portable desktop unit that creates a comfortable, efficient, hands on operating environment for DAW based Music and Film/TV Post production. It provides everything you need to record and monitor audio and to control your DAW quickly and efficiently without resorting to your mouse. Nucleus streamlines your workflow and helps you focus on your sound, not your screen."

I spent a few hours using the Nucleus with Giandre's mobile setup here in Miami when he first acquired it and found it fairly simple to use. All the functions worked as expected and being able to access plugins directly from the Nucleus was a definite plus. I asked him to give me a review of the unit once he got it fully integrated into his studio.

Here is Giandre's review of the SSL Nucleus:

I’ve had the Nucleus for almost three weeks now and my enthusiasm still has not subsided. I’m anxious to start new projects just to use this ‘Hybrid Controller’. SSL has this listed as a Console and technically it is, albeit a 2 channel console. For my needs it’s perfect, I usually just record vocals and the odd Guitar or bass, but very seldom do I ever need more than 2 inputs at any time in my day to day business. My studio's main focus is audio mixing and Jingle and advert production. 

The Nucleus first impressions

I was instantly wowed by the build quality, it’s very solid and robust, and the v pots, buttons and faders are all very tactile and durable. The meters are accurate and well positioned, the cut, solo and select buttons feel good and are well placed. It’s size seemed well thought out and the position of everything was very ergonomic for me. Setup and registration was easy and there is no lag between the DAW and the functions of the Console, I did some initial soft key programming and the Nucleus Remote software made it is very easy, 

In Use with Pro Tools 10 (My main DAW)

First thing I had to try was the Preamps, having spent at least 4 years on an SSL 4000 G series Console, I remember patching the mic directly into the mic pre on the channel and the sound was impressive, external pres were more for colors specifically needed for the Sound source or song. The wow factor continued with the sonics of the Nucleus, I have since used these pres extensively with Male/female vocals, and acoustic guitar and I must say when recorded I find I have less to do after recording, it's full sounding and clean, the headroom available is also astonishing as my gain pot hardly sees movement past 10’ o Clock on the markings.

The analogue monitor section is sufficient for my needs as I previously owned an SSL X-desk… smart routing has made it possible for me switch between my main and alt speakers, and keep the Volume control in front of me, which is an added convenience. headphone outs are clean with no audible noise/distortion.

Audio Card 

I did use the SSL audio interface and it sounds good, dynamic and clean with full frequency range reproduction and no noticeable added hype to any part of the audio spectrum.  However that was just curiosity because I also work with an UA Apollo.  The Nucleus Sound Control Panel software though simple looking is workable and easy to manipulate.

The Fader Bank Section

The banks of 8 are very nice, the faders are spaced beautifully with great touch response. Both touch and onscreen response has no visual lag and I have been able to adjust faders with great accuracy. When scrolling through tracks in Protools fader response and displays are updated immediately, very impressive. 

Automation

Accessing automation features are probably the quickest and best feature on this console, it has now made automating anything for me less cumbersome and more satisfying. The faders are quiet and the flip function makes automating anything a smooth and uncomplicated experience.

Things I would have liked

I would have liked a dedicated scribble strip below the faders that always displayed track names within the DAW, especially when using the user 1 or user 2 layers which displays its’ functions on the right hand side scribble strip of the console.

I would have also liked an easier way to identify where the faders are in the DAW it has a highlight around the selected but at a glance I would have liked to know what number fader I’m at immediately. Probably a brighter highlight, I’m a bit color blind so this probably just affects me.

A small touch pad area next to the jog wheel would have made this the ultimate control, and would definitely keep you away from the mouse more. (if the jog wheel was smaller a touch pad section would fit there perfectly)

Integration of the SSL Duende plugins could have been nicer with pro tools, although I understand there are some challenges without the Eucon protocol.


My Synopsis

It’s been some time since I’ve been on a console, and having the Nucleus has made me regain some lost connection with the music when mixing, the rhythm felt when doing automated cuts, the feeling of that ‘sweet spot’ when moving faders and the general ability to listen more than look. I have now been able to sleep my monitor and mix, a feeling that is indescribable. That is something most younger engineers never experienced but for me it was nostalgic and heavenly. My workflow has improved and the speed I work at now is much faster, sonically the addition of this console has made a huge impact and my investment was a good one. It’s also nice to say there’s an SSL to a client.

I hope anyone considering a DAW controller will find this review helpful.


SSL Nucleus Features:
  • Ethernet connected DAW Controller re-defines the professional project studio
  • Compatible with ProTools, Logic, Cubase/Nuendo and all major DAW applications
  • Switch between 3 connected DAW’s with a single button press
  • Two banks of 8 channel controls plus centre section controls
  • Touch sensitive 100mm motorised faders
  • Digital Scribble Strips with assignable V-Pots and soft keys
  • Completely user customisable DAW & Key Command mapping
  • Remote Logictivity Browser for effortless configuration
  • SD card for non volatile project storage
  • Large heavy duty transport buttons and high quality jog/shuttle wheel
  • Excellent visual feedback via self illuminating buttons, LED’s and DAW Level Metering
  • A unique audio nerve centre for your project studio
  • Benchmark SuperAnalogue™ quality output to separate +4dBu & -10dBV connections
  • High quality USB audio interface (44.1kHz - 192kHz, 24 Bit)
  • Two Combi XLR mic/line/instrument level inputs to audio interface and monitor outputs
  • Digital S/PDIF I/O to the AD/DA of the audio interface
  • Zero latency Rec monitoring with wet/dry control to balance input and DAW playback
  • SSL SuperAnalogue™ Mic Pre’s’, identical to those used on SSL Duality and AWS consoles
  • Mic inputs have 80Hz High Pass Filters, Phase Reverse and Phantom Power
  • Insert send/return connections switched between inputs and DAW playback for mixdown
  • Additional ‘external’ SuperAnalogue™ input monitor path for another audio interface
  • Two headphone outputs and one iJack monitor input
  • Standard 1/4” Jack footswitch connection
  • Four USB sockets for use as a 4 port USB hub



Monday, November 19, 2012

Metric Halo's FREE AAX Plug-In - Thump and Production Bundle Giveaway



Avid and Metric Halo is currently giving away MH's Thump Percussive Subharmonic Plugin (PT AAX only) which can be used "....to enhance or transform your drum tracks. Add low end to percussive tracks, or re-create classic drum synth sounds...".  To get Thump just fill out the form on this page
Russ Hughes (Pro-Tools-Expert.com) made the following video showing some of the ways Thump can be used in a session.




Pro-Tools-Expert.com is also giving away a copy of the Metric Halo Production Bundle (which I use and highly recommend). The Production Bundle is available in AAX and AU.

You can download a 30 day trial here.







Tuesday, November 13, 2012

Wavesfactory's TrackSpacer Plugin




     TrackSpacer | VST, RTAS and AU for Mac and Windows


TrackSpacer is a new plugin from WavesFactory that helps the user create space in the mix when two sounds are fighting for the same sonic space by using multiband dynamic eq instead of compression (such as the kick and bass occupying the same frequencies.) I did a quick demo with some drum loops where there was some buildup in the lower mids and bass. With some quick tweaking I was able to fix the issue. The actual settings I used are in the pic above.

"TrackSpacer....creates space in the mix for an instrument, voice, or other audio by performing automatic, multiband equalization on a channel. In real-time it analyzes the audio frequency content in a track/bus via sidechain, and applies an intelligent 32-band EQ to subtract those frequencies from the channel/bus where TrackSpacer is inserted. In other words, it gives room or space to a certain track by reducing its frequencies on another track in real time."
Take a look at the Youtube clip below to see the TrackSpacer in use:




CONTROLS
  • Ratio: With this knob you can control the amount of EQ applied from 0% to 100%
  • Filters: Maybe you only want TrackSpacer to duck a certain range of frequencies and leave the other as they are, you can control that with these hi pass and low pass filters.
  • Freeze: This button makes the EQ settings permament.
  • Screen Display: You can see the original frequencies of the sidechain (white curve) and the EQ curve applied by TrackSpacer (green curve) in real time.


SYSTEM REQUIREMENTS
  • Mac (OSX 10.4 and later)
  • Windows (XP, Vista, 7)
  • VST, AudioUnit, 32bits and 64 bits, RTAS (protools 10.7 and later)
  • DAW with sidechain functionality.
Cost: €39 Euros (approx. 49.60 USD)

Download the demo and purchase the TrackSpacer at http://plugins.wavesfactory.com

Friday, November 9, 2012

I want to audition the PSI A21-M Studio Monitors


I've been hearing a lot of good things about the A21-M Studio Monitors from Swiss company PSI Audio. I hope to get a demo pair from their US dealer SimpliFi Audio so I can audition them for a week or two. I've been warned that once I hear the A21-Ms I'll probably want to keep them. They're not cheap ($2895 each) but are said to be worth every penny.

Here's an excerpt from Hugh Robjohns review in Sound On Sound:
"....these speakers provide real detail and superb resolution across the bandwidth, and do so without any sense of fatigue even after hours of critical listening. The top end is gloriously smooth and natural, yet wonderfully revealing and precise. The mid range enjoys negligible levels of the harmonic distortion that so often masks the mid‑range clarity in inferior designs. Indeed, the mids come across as totally uncoloured, and both monitors passed my very critical spoken‑voice tests with ease, delivering complete naturalness and accurate spectral balances without any hint of boominess, boxiness or sibilance. Moving down to the bottom end, the bass control — the ability to stop and start bass notes and separate bass guitars from kick drums — was remarkable, delivering a performance more associated with sealed‑cabinet designs rather than ported construction. Bass extension was also impressive...."

Here's some more info on the A21-M taken from PSI Audio's website:
"The A21-M high power near / mid-field precision monitor covers a broad frequency spectrum, allowing the user to be in full control of their audio production. Its unique and highly optimised assets make it perfect for near, mid-field and surround sound applications where ultimate precision is required.The powerful bi-amplified output stages features the unique “AOI” output stages and has a protection circuit, which can be monitored via the red LED on the front panel.
The active crossover, with integrated “CPR”, gives the A21-M unprecedented impulse behavior – with excellent stereo imaging. The crossover is also optimized for maximum phase coherence, projecting a wide horizontal and vertical ideal listening area."
The A21-M features and specs are listed below:

FEATURES:


  • Very high SPL in a compact cabinet.
  • Flat frequency response.
  • Optimised directivity by phase coherency.
  • Compatible with industry standard mouting systems.
  • Amplifier unit acoustically uncoupled from speaker cabinet.
  • Protection circuits with overload indicator.
  • Real balanced input.
  • Designed for stereo and multichannel monitoring.
  • Magnetically shielded for use close to video monitors.
  • AOI Technology.
  • ALG Technology.
  • CPR Technology.
  • PSC Technology.

SPECIFICATIONS:

Power RMS: 
120 + 50W
Program Power: 
170W
Input Impedance: 
Sym, 10k Ohms
Sensivity for 100 dB @ 1m: 
0.775 V
Signal to Noise Ratio: 
-96 dBA
Continuous Max SPL@1m: 
108 dB (single)
Input Overload: 
24 Vpp
Program Max SPL@1m: 
119 dB (pair)
Response at -6dB: 
38 - 23000 Hz
Tolerances: 
±2 dB (44Hz - 20kHz)
Distortion THD: 
< 1.4% (90Hz-12kHz)
Phase tolerances: 
±45° (190Hz - 20kHz)
Dispersion (P.N. 4 - 16 kHz) at -6 dB: 
90° x 90° (H x V)
System: 
2 Way(s)
Crossover frequency: 
2.4 kHz
Woofer's dim. Ext. / Diaphragm: 
Ø217 mm / Ø170 mm
Tweeter's dim. Ext. / Diaphragm: 
Ø100 mm / Ø25 mm
Connectors: 
1 x XLR F / 3P
Signal input: 
1=GND, 2=(+), 3=(-)
Material: 
MDF
Dimensions W x H x D mm: 
250 x 400 x 300
Gross / Net Weight: 
14.8 / 13.4 kg
Voltage: 
115/230V (50-60Hz)
Consumption Standby-Quiescent-Max: 
1.2 - 5 - 150 W
Mean / Max Humidity: 
< 75% / < 90%
External Temperature: 
5 - 40°C

Wednesday, November 7, 2012

The Roots - Tree Audio's 8 Channel/2 Buss Tube Hybrid Console


I like the retro look of Tree Audio's-The Roots console and hope I can demo it soon. It received rave reviews at the recent AES Convention. I can see using it to record live instruments such as drums, bass, guitars and even synths. I'm also curious to see how well the built-in Mic Pres handle vocal recordings.
I wonder how well it would handle summing for my DAW? If it sounds anything like how it looks I don't think I will be disappointed. Plus it has 4 available slots for 500 series modules built right into the Master section.

 Take a look at the pic of a single channel module below:

Note the built in Limiter with selectable 250hz HPF filter and the channel's meter can be set to read input level, output or gain reduction. (Hmmm... I wonder how drums would sound with the limiter pot turned to say....3 o'clock?). Some may be put off by the non-variable equalizer frequencies and level controls but if you've ever used a Neve 1073 or Pultec EQP-1A you know that units with fixed frequency points can actually be quite musical in nature and are usually more appropriate for broad strokes than sonic surgery.


Take a look at the back panel:

BACK PANEL

Notice the multitude of connectors available including those for your 500 series modules(upper left). There are also connectors for 2 pairs of speakers and 2 stereo Aux returns that go straight to the stereo buss. 

Here's a list of "The Roots" features:

FEATURES:
  • All tube EQ and limiter on each channel
  • 4 slots for 500 Series modules
  • Vacuum tube regulated supply for all tube input modules
INPUT MODULE FEATURES (FROM TOP TO BOTTOM)
  • Meter
  • Meter select (input, gain reduction, output)
  • Pan
  • Stereo buss switch (removes signal from stereo buss for direct out)
  • Aux send 1
  • Aux send 2
  • Pre, off, post switch
  • Lo Freq EQ - 50 Hz, 80 Hz, 100 Hz ,400 Hz
  • Hi Freq EQ - 7K, 10K, 12K, 16K
  • Gain reduction pot (limiter)
  • Limiter switch (out, in , HPF) 250 HZ 12DB per octave
  • Line, mic, mic reverse phase
  • Pad switch (off, -10, -20)
  • Mute, on , solo
  • Big knob level pot
METER BRIDGE
  • Buss Master 1 & 2
  • Aux master 1 & 2
  • Talkback mic XLR
  • Talkback level
  • External Aux in 1 (mute, on, solo)
  • External Aux in 2 (mute, on, solo)
  • Monitor
  • Source Select
  • Speaker Select
  • Big knob monitor level
REAR PANEL
  • Mic in, line in, direct out
  • Phantom power switch (all modules and talkback mic)
  • Master section ins and outs
  • Control room monitor outputs
  • If used as a direct out with no bussing, all pure transformers and tubes
  • When use thru the bussing, Inward Connections SP690 alldiscrete blocks
The Roots console is available in 8 or 16 Channel configurations.

For more info and any questions on pricing and availability visit Tree Audio's website.

Monday, November 5, 2012

Soundtoys donating 100% of todays sales to Storm Relief



ST016_sandy_relief_02 2

On Mond
ay November 5th 2012, SoundToys will donate one hundred percent of its online sales to help the storm victims of New York and New Jersey. As former residents of New Jersey, and with a great number of friends in both New York and New Jersey, as well as the large music community affected, SoundToys feels a deep responsibility to assist as much as possible. If you were considering a SoundToys purchase, we hope you will choose to make it on Monday Nov 5th, and help us help those in need. All proceeds will be donated to Team Rubicon,  a rapid relief organization already working in both areas to aid the needy. The organization employs skilled veterans to assist in all areas of relief and aid. More info below.

“It's hard to watch the people of New Jersey and New York, the communities we grew up in, the seaside towns we played in, and the city we love, suffer so badly. We feel that it's the least we can do – to give one day of our work to help with this monumental relief effort." said Ken Bogdanowicz, CEO of SoundToys.

Tragedies like these require everyone to come together to help, so SoundToys ask our customers and friends to help. Simply place your order for any SoundToys product or upgrade on the SoundToys web site, www.soundtoys.com, on Monday Nov 5th, and the combined total of sales for the entire day will be donated to help the victims of this tragic storm.

We also ask, if you don’t happen to need any more plug-ins, please consider making a direct donation to Team Rubicon using the SoundToys Storm Relief Page.

Here's more info on the effort from Team Rubicon:
Team Rubicon, a veteran service organization that re-purposes the ready-made organizational and operational skills of military veterans for disaster relief has mobilized 1,000 veteran volunteers to lead Superstorm Sandy relief efforts for post disaster damage assessments, debris management, flood recovery operations, and emergency coordination support to local governments.

By re-purposing the skills (teamwork, decisive leadership, risk mitigation and management, logistics,emergency medicine) of returning military veterans, the Team Rubicon model is one that addresses two challenges by using them to solve each other - disaster response and veteran reintegration. Veterans are an untapped resource, and have the skills and experiences necessary to be effective in disaster response.

A sincere thanks to all who can assist, in any way, at any level.

The SoundToys Team





Sunday, November 4, 2012

Kush Audio's Electra Equalizer and Clariphonic DSP






Gregory Scott of Kush Audio seems to come up to with those (thinking out of the box) products that work well and lead you to say I wish I had this 10 years ago. The Electra (short for Electified Transient Equalizer) is another one of those pieces that even if you're not sure how it works you know that it adds that magical texture that you seek. I definitely want to demo this product and I'm quite sure I wont be disappointed. It's offered in a single channel 500 series ($599) and the dual channel 19" rack style will be available soon.

"The Electra, or Electrified Transient Equalizer, is a 4-band, multi-topology eq designed to precisely and musically redefine how the transients and harmonic energy of a sound interrelate, opening up completely new creative possibilities for how sounds interlock, move air, and impact the emotions. The tone of this box is quite literally electric, with a crackling but incredibly smooth and detailed midrange, tightly defined low end, and unmistakably analog high frequencies.

The heart of the Electra is two fully sweepable Proportional-Q bands tailored to allow for extreme pushes without sounding stressed or unnatural. The more you boost or cut, the narrower these filters get, which makes them gentle at low gain and powerful at high gain. Their adaptively musical shape allows you to add a tight 'thwack' to snares, brighten a vocal without sacrificing warmth, or even completely rebalance the elements within a drum loop as if you had faders for the various elements.

Rounding out the bottom is a fixed low shelf which pairs beautifully with the the continuously variable (25-400Hz) 12db/octave HPF. The HPF has just a touch of bite on the corner which makes it rewarding to clean up the mud; the shelf and HPF combined allow you to reshape, de-clutter, and tighten up even the most unruly low end.

Topping it all off is a sparkling, fully sweepable (3.4-20k) high shelf reminiscent of the coveted vintage mastering EQ’s of yore; it'll give life to the darkest, murkiest sound, and adds a smooth top end that plugins simply cannot replicate. Ribbons, overheads, vocals... anything that needs shimmer will love the treatment this filter gives.

The Electra is analog at its finest, and represents Kush's ongoing commitment to pushing the envelope and creating processors that fuel the creative and artistic aspects of mix engineering and music production."


SPECIFICATIONS:

• 500 Series: Single Channel Eq

• 19" Rack: Dual Channel Eq

• 4 bands per channel + Hi Pass Filter

• Hi Shelf: Sweepable 3.8kHz - 20kHz

• Hi Mid: Proportional Q, Sweepable 250Hz - 5.4kHz

• Lo Mid: Proportional Q, Sweepable 30Hz - 730Hz

• Lo Shelf: Fixed 90Hz

• Hi Pass: 12dB/Octave Butterworth

• Class A amplifiers

• DC Coupled signal path

• 500 series: "Fader Mode", converts Low Shelf to Fader for channel strip operation






Kush Audio (whose UBK-1 I use a great deal) also announced the Clariphonic DSP plugin. It is the software version of their Clariphonic Parallel Equalizer hardware. It will be available on Nov. 9th for $149.

Here's a quick video of the hardware in use:




"The Clariphonic DSP, like its analog cousin, blends custom-tuned, silky smooth high frequency filters with the full range audio to lift open the midrange and top end with an effortlessness that is unrivalled by any other device in existence. It’s effectiveness is matched only by its elegant simplicity, with toggles to select the filters and a knob to turn them in one direction: up.

With two high-shelves running in parallel on each channel, and your choice of 6 unusual and carefully selected corner frequencies covering everything from the mids to the supersonics, there is no limit to the types of sweet high end the Clariphonic can produce. The internal parallel signal paths produce a form of additive-only high frequency equalization that is at once holographic, transparent, and virtually phaseless. You get effortless, natural high end for days.

Bottom line: every frequency sounds amazing, and expensive. Drums, vocals, acoustic guitars, entire mixes... almost any sound can be made more present, more detailed, and more alive with this remarkably creative, forward-thinking equalizer."


SPECIFICATIONS:

• Mono/Stereo High Frequency Equalizer Plugin

• Two shelving bands

• Six unique corner frequencies from 800hz to 39k

• Parallel signal paths for each band

• Incredible clarity, minimal distortion and phase artifacts

• Independent muting and solo’ing of each band

• Effortless, foolproof operation, expensive results

• 32-bit AU, VST, & RTAS (Mac)

• 32-bit VST (Win)

• iLok 1 or 2 required

Friday, November 2, 2012

Moog's 500 Series Analog Delay





The Moog Analog Delay is the world’s first delay designed exclusively for the 500 series format. It is a MIDI syncable module that features a 100% analog signal path, front panel MIDI, and an assignable Tap Tempo/CV jack. Included with each unit is a free VST/AU/RTAS editor for easy implementation into any recording, live, and performance situation.

Out of the box you get 800ms of the warmest, and most musical delay on the planet. No emulation plugin can impart depth and life into your mixes like the Analog Delay.

The Analog Delay has been designed with tone, connectivity, and flexibility at the forefront. Moog’s engineering team worked tirelessly to deliver a 500 Series module with an incredibly clean front end that could easily pushed into a warm, natural overdrive for saturated delay trails or beyond for more distorted effects.

Though not on the front panel, the Analog Delay features a 6 Waveshape LFO that allows you to create other time based effects such as tape delay, chorus and extreme modulated sounds. The LFO can be easily accessed via MIDI or the free VST/AU/RTAS Analog Delay plug-in editor.

Also accessible via the editor are advanced features like Tap/CV input routing, Keyboard Control settings, Clock Divisions and a Delay Multiplier for access to illegal times up to 4x the front panel position. The Tap/CV input also can be fed audio from a click track to act as a tap tempo source.

The 500 series Analog Delay combines the sound of the ultimate analog delay with convenient digital control and flexibility to create the perfect recording and live sound tool.

Features:
• 40-800ms Analog Delay Time
• .5x/1.0x time and filter switch
• 32dB of input Drive
• Assignable ¼” Tap Tempo and CV input
• MIDI control
• 6 Waveshape LFO
• Free VST/AU/RTAS editor (AAX coming soon)
• Stereo Linkable


Available in December. 
Pre-order for $899 at VintageKing Audio

Thursday, November 1, 2012

The Orion32 Multi-Channel AD/DA Converter




Antelope Audio makers of the world renowned Atomic Master Clock has introduced the Orion32 AD/DA Converter.
"The Orion 32 is a 32-channel AD/DA converter and audio master clock, supporting both MADI and USB interfaces, clocked by Antelope’s renowned 64-bit Acoustically Focused Clocking (AFC) technology.
Orion 32 allows 192 kHz I/O streaming of 32-channel digital audio through its custom-built USB chip, which provides simple connectivity to any USB-enabled DAW or computer. The converter also provides 32 channels of 96 kHz audio through its Fiber Optic MADI I/O connections, which can be used to connect with any suitably equipped MADI device.
Orion 32 also supports ADAT protocol by offering 16 I/O channels, for even greater compatibility with a large number of audio devices. The multi-channel converter inputs and outputs pass the analog signal through 8 D-SUB 25 I/O connectors."

FEATURES:
  • Antelope Audio precise AD/DA conversion technology
  • Up to 192 kHz on 32 channels I/O via custom-built USB chip
  • 32 channels I/O via Fiber Optic MADI I/O connections
  • Eight D-SUB 25 connectors for AD and DA
  • 16 channels on 4 ADAT input and output connectors
  • Antelope’s renowned 64-bit Acoustically Focused Clocking with Atomic input
  • Antelope’s proprietary Oven Controlled Oscillator for supreme clocking stability
  • Four word clock outputs and one word clock input
  • Five presets for fast and easy recall of favorite setups
  • 1U rack size with power consumption of 15 Watts and very low heating levels
  • A user friendly desktop application available for both Windows and OS X


MSRP $2995



Tuesday, October 30, 2012

Audio-Technica's new 5040 Studio Vocal Microphone





Audio-Technica announced their brand new 5040 Cardioid Condenser Vocal Microphone at the 133rd AES Convention this past weekend. I'm a big fan of their AT4050 Microphone and used/owned one for many years. (Found a good home for it last year with a horn player). So I'm very curious to hear what the 5040 sounds like.







"The AT5040 represents a milestone in condenser design, offering remarkably musical high-fidelity performance, with profound realism and depth, presence and purity of sound.
Designed as a first-choice vocal microphone, the AT5040 features an extremely smooth top end with controlled sibilance. Large-diaphragm characteristics and fast transient response also make it ideal for recording acoustic instruments such as piano, guitar, strings and saxophone."


FEATURES:
  • Extremely musical high-fidelity performance, with profound realism and depth, presence and purity of sound
  • Four rectangular diaphragms (2 micron) function together as Audio-Technica’s largest-ever element, providing combined surface area twice that of a standard circular one-inch diaphragm
  • Exceptionally low noise and wide dynamic range ideal for studio vocals
  • Discrete components carefully selected for optimized capsule performance
  • High-SPL capability and extended frequency response
  • Hand built and inspected for 100% quality control
  • Advanced internal shock mounting decouples the capsule from the microphone body
  • Elegant, durable housing of aluminium and brass
  • Included advanced-design custom AT8480 shock mount provides superior isolation
  • Custom hard-shell carrying case with die-cut foam compartments offers protection during storage and transport

SPECIFICATIONS:
  • Element: Fixed-charge back plate, permanently polarized condenser
  • Polar pattern: Cardioid
  • Frequency response: 20 – 20,000 Hz
  • Impedance: 50 ohms
  • Open circuit sensitivity: –25 dB (56.2 mV) re 1V at 1 Pa*
  • Maximum input sound level: 142 dB SPL, 1 kHz at 1% T.H.D.
  • Noise: 5 dB SPL
  • Dynamic range (typical): 137 dB, 1 kHz at Max SPL
  • Signal-to-noise ratio: 89 dB, 1 kHz at 1 Pa*
  • Phantom power requirements: 48V DC, 3.8 mA typical
  • Weight: 582 g (20.5 oz)
  • Dimensions: 165.3 mm (6.51'') long, 57.0 mm (2.24'') maximum body diameter
  • Output connector: Integral 3-pin XLRM-type
  • Accessories furnished: AT8480 shock mount for 5/8"-27 threaded stands; protective carrying case
MSRP $2999